I'm really into everything. Something I've been asked throughout the years I've done the show is, "What kind of music are you into?" I find that to be a bizarre question, because it implies there are people out there that are only into one specific kind of music. But I think I, like most people, enjoy a wide variety of music.
You live your comedic life close to the edge, you're gonna cross the line and offend people.
I put myself in the category of "Lucky Guy," and my hopes for the future are that I can continue to push the envelope for myself, and creatively and see what's next.
I'm not the biggest fan of comedies where nothing is real.
As an actor, I think every moment in your life is giving you a new set of tools. You’re constantly absorbing new information that you can put back onto the screen.
I didn’t know that it was going to launch a quote-unquote comedic career. I just wanted to do anything other than wait tables.
In my theater days I assumed that you had to get rid of yourself to do a character well, and I don’t think I was a very good actor when I did that.
I had my own insecurities, which a lot of my comedy would come from, about not being able to live up to their academic expectations. Acting out those insecurities was a way of confronting them, like, “Let me just lean into being a guy who can’t read or write.”
I think people are surprised when I string two sentences together. But I had a fiercely academic upbringing.
I think we're all guilty of mistaking the actors we've seen over and over again - we think we know them.
There are times in your life when you feel like the dumbest man on the planet and you’re insecure about something, and then there are times where you feel like, “Hey, I’m a pretty smart guy and I’m pulling it together …”
I always was a funny guy, the class clown. I had a very funny dad and an extremely funny grandmother.
You're happy that people are seeing your work. As for the critics, it really hurts when they knock you.
For the people who don't know, my character could described, in a nutshell, as the bar dumb-dumb.
Sometimes even hearing a bad idea is a great way to get to a good idea.
I've never written anything that wasn't somewhat of a collaboration. I don't know how people do it on their own.
It doesn't really matter to me whether the 7-year-olds are big fans of my work. I'm happy just to be working at all. I do think it will be nice to have a movie that my son can watch.
Writing is like pulling your hair out. You have nothing, and you can't think of anything, but you have to think of something.
I went to college to be a jock and to play on the baseball team. And then, I got cut and realized that that was it for that. I was really small. The other guys were really big, on that team. I was a bit of a theater nerd, and I was an art history major.
Everyone knows what it's like to feel like the underdog. Everyone wants to be accepted. Ultimately, everybody wants to be loved.
I was the world's smallest man, covered in freckles with a squeaky, scratchy voice. And I still am, but I've learned to love myself.
Everyone feels like an underdog, at some point in their life. Even the best-looking people and the most athletic probably have a phase in their life - a year or two - where they're awkward or they have braces.
Obviously, comedy, or art in general, or television, or whatever you want to call it's all subjective. But I do like to know what people are thinking. I don't know how long I'll keep doing that. As it goes on and on, I might become more fearful of it. For the time being, I'm not opposed to reading what people write.
There are certain episodes that on the page I thought, "Oh boy, this is going to be the funniest episode." And there are other ones that went in, fingers crossed, saying, "Oh well, let's hope something good comes out of it." Oftentimes, those ones wind up being the best ones.
You're responsible for your own character to a degree, because when it comes to the final draft of the script, you might say, "Well, I think maybe I could add this here, add that there." But I find that I write just as well for the other characters as I do for myself. I think.
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