Travel is hard, but entertaining is joy.
Traveling is really exhausting. That will force me into retirement.
We've lost a lot of our great stars. I can't hang out with those who aren't here. The phone service to heaven is so bad, you know. But I get to visit with their memories.
I'm very strict with myself. I'm an Aries and sort of a challenge to myself.
Every performer should learn a little bit of everything. Most performers today only play the guitar.
My belief also is that Marilyn Monroe passed away long before she should have left us.
I'm a big believer that Marilyn Monroe was killed.
[Marilyn Monroe] was a bit temperamental, a little diva-like, but she didn't deserve what she got.
Near the end, she [Marilyn Monroe] was badly treated by Fox Studios, during the 'Let's Make Love' film shoot in 1960, they threw her off the set because she had a cold.
Marilyn [Monroe] was really mistreated.
Marilyn Monroe was taken advantage of by most of the men that knew her, including Frank Sinatra and Joe DiMaggio, whom I also knew very well.
Joe DiMaggio was quite mean to Marilyn Monroe when they were married. But after she died, he did tend to her grave, which made up for it.
Marilyn Monroe was a very sweet girl, she was a very innocent girl.
You probably only know what you've read [about Marilyn Monroe].You didn't know her. The people who talk about her didn't know her either.
I also have a pair of ruby red slippers from the 'Wizard of Oz' and Dorothy's gingham dress...and on and on. I saved as much as I could and still do, because people are still interested in it.
For 'Singin' in the Rain,' I bought most of the costumes - the 'Fit as a Fiddle' costumes and the 'Make Them Laugh' Donald O'Connor outfits and the 'Good Morning, Good Morning' clothes we danced in.
My favorite [costume in collection] is the white dress Marilyn Monroe wore in the subway breeze scene in 'The Seven Year Itch.'
I have over 5000 costumes, and the furniture and memorabilia that goes with them.
I have the largest private collection in the world [of Hollywood memorabilia].
[Las Vegas in the early 1960] was thrilling, exciting... I would describe it as very Parisian.
We now have no record of these famous stage plays, so it turned out to be very narrow-minded thinking.
I just keep traveling and doing live shows.
'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.
I always found that kind of hard, and even though Gene Kelly was also a taskmaster, Bobby [Fosse] was tougher.
[Bob Fosse] was a temperamental fellow - it was his way or the highway.
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