I think Girls is so great, because versions of it are close to my own experience of moving to New York. It's a fun. You know - get to be messy and silly and irresponsible, but also wrap that up at the end of the day and be an adult. It's a fun time, but not necessarily one you want to stay in for too long.
I'm happy to say I haven't received that much negative feedback. I'm always thrilled when I get feedback from young people, particularly from The New Normal, young gay people - when they say they want that when they grow up, that means a lot to me. As a kid growing up, I didn't really have a lot of gay role models on television, so it's nice to be part of a movement that gives some more of those.
I figure, oftentimes the best way in is through humor, and you can deal with serious situations a lot easier, or at least bring up the conversation.
Luckily Ryan Murphy has a great track record of really having his finger on the pulse of pop culture in a way that very few people do. And he is able to work things into stories in a ridiculously timely way - sometimes, before anybody else thinks it's going to be a thing, he is able to create these moments on television. I was thrilled to get to work with him, and I knew he would be able to tell that story with that same energy.
When I talk to Ryan Murphy or Ali Adler about my past or things in my personal life, occasionally pieces of that will end up in the script, and I think that's true of everybody. It's true of that entire writer's room, certainly of Ryan and Ali. I think that he writes really well for actors, for his actors, and he writes to their strengths. I always feel very well taken care of with him.
I was interested in being part of interesting stories. As an actor, you generally don't get to choose what projects you are part of, so I've been very fortunate that The Book of Mormon was something I got to be part of.
I don't want to be lofty, but it was groundbreaking, in many ways, for musical theater, so that was really thrilling to be part of The Book of Mormon . And Girls felt very much the same way - there was an excitement about it as we were doing it; I knew it was something special.
My only goal is to make the crew laugh, basically. It's the only litmus I have to know, is this good or not?
I love doing both theater and television. I definitely foresee more Broadway, but I think I would like to keep the singing and the TV separate.
Girls was the first television show I got to be a part of, and that was here in New York. Getting to work with Lena Dunham, and to work with HBO and Judd Apatow, and then being a big fan of Ryan Murphy, I couldn't have asked for a better opportunity than this.
The majority of celebrities that come to the show actually don't come backstage. Because they don't know that they can.
Always my fallback is - I'm gonna move to a poor town and open a scone shop... Sometimes after some bad auditions I think, you know what - time to open that scone shop! Let's start baking.
So much of being an actor is trying to force yourself into these roles and sometimes it's a good fit, and sometimes it's not a good fit... you have to get clear about what it is that you do and not try to be a bunch of other people. Not try to be that guy or try to play that part; find the roles that you do well.
As a kid, I was fortunate that we grew up near a children's theater, with all different classes and things; so as a kid I took classes there and as I got into high school I did all the community theater stuff. Then I came to college here in New York, going to Marymount Manhattan, and studied acting there. But most of the training I got was from working. Working with really great people.
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