Latest Cate Marvin Quotes from Interviews

• I place a lot of emphasis on process and revision because I believe that all of my students can become better writers through hard work.

  Cate Marvin

  Believe, Hard Work, Revision

  Source: www.redividerjournal.org

• Different drinks have different metaphorical weight. Wine's heady, gin is poisonous, vodka's cold, and beer is plain boring. In real life, I'm a big fan of boxed white wine, much to the dismay of my more refined friends.

  Cate Marvin

  Real, Wine, Beer

  Source: www.redividerjournal.org

• I encourage my students to be honest in their assessment of both the published work we read and the work of their classmates. I think there's always the occasion for discussing elements of craft, whether the student's poem is terrible or quite wonderful.

  Cate Marvin

  Thinking, Assessment, Elements

  Source: www.redividerjournal.org

• One of the reasons poetry is such an amazing genre to work with is because it constantly reinvents itself and re-negotiates its terms with the reader.

  Cate Marvin

  Reason, Genre, Term

  Source: www.redividerjournal.org

• I love teaching poetry writing. Students come into the class thinking poetry has to be one way, then leave having created pieces that are wholly original, that have - quite literally - never been made before.

  Cate Marvin

  Teaching, Writing, Thinking

  Source: www.redividerjournal.org

• Confessional poetry is, to my mind, more slippery than poems that are sloppily autobiographical; I find the confessional mode much more akin to dramatic monologue.

  Cate Marvin

  Mind, Dramatic, Monologues

  Source: www.redividerjournal.org

• I like it when poems are challenging, when they concern matters important and personal to the author.

  Cate Marvin

  Challenges, Important, Matter

  Source: www.redividerjournal.org

• I have no precise idea of who makes up my readership. I'm surprised when I discover people have read my poems at all.

  Cate Marvin

  Ideas, People, Readership

  Source: www.redividerjournal.org

• The cool thing about having a book is that it takes on its own life. Once it's in the world, you can't follow it. You'd have to have a pretty fantastic surveillance system to track its migration.

  Cate Marvin

  Book, Track, World

  Source: www.redividerjournal.org

• Some poems take two to three years to finish. Rarely, a poem will arrive whole. It's nice when that happens. However, process has become so grueling for me over the past few years that when one of my students uses the word "inspiration" I practically shriek with laughter.

  Cate Marvin

  Laughter, Nice, Inspiration

  Source: www.redividerjournal.org

• One cannot have "success" in poetry. If I wanted to be successful, I'd have become a lawyer.

  Cate Marvin

  Successful, Lawyer, Wanted

  Source: www.redividerjournal.org

• There IS a difference between poetry and prose! Poems should be sonically charged and new to the ear.

  Cate Marvin

  Differences, Ears, Should

  Source: www.redividerjournal.org

• To think of writing poetry as a "career" is not only ridiculous, it's dangerous. To the imagination. To the way one thinks of art. The reason poetry as a genre is so special is because it cannot be made a commodity.

  Cate Marvin

  Art, Writing, Thinking

  Source: www.redividerjournal.org

• I do believe that one's writing life needs to be kept separate from Po-Biz. Personally, I deal with this by not attending too many poetry readings, primarily reading dead poets or poems in translation, reading Poets & Writers only once for grant/contest information before I quickly dispose of it, and not reading Poetry Daily. Ever.

  Cate Marvin

  Believe, Reading, Writing

  Source: www.redividerjournal.org

• I consider poetry my vocation, not my "career." My career is as a university professor; that's what pays the bills.

  Cate Marvin

  University Professors, Careers, Pay

  Source: www.redividerjournal.org

• The fiction writer has a lot of balls to juggle. Setting, pacing, dialogue, and so on. And let's not forget: plot. That was always a hard one for me. And I always had this spastic tendency to wrap up a story before I'd seen it the whole way through, a sort of writer's pre-ejaculatory tendency: "The End!"

  Cate Marvin

  Plot, Balls, Fiction

  Source: www.redividerjournal.org

• It takes a certain kind of mind to narrate, to work through character motivation, to be unforgiving to one's writer-self when it comes down to creating the minutiae of detail. Writing fiction requires stamina, a sense of how people's lives work, how people work toward and against one another and, above all, precision.

  Cate Marvin

  Motivation, Writing, Character

  Source: www.redividerjournal.org

• When fiction writers like my poems I feel like I've hit the jackpot.

  Cate Marvin

  Fiction, Jackpot, Feels

  Source: www.redividerjournal.org

• Place is extremely important to my work because I am always pulling landscape imagery into my poems.

  Cate Marvin

  Important, Landscape, Imagery

  Source: www.redividerjournal.org

• I prefer poems that occupy an imaginative sphere. When I lived in Cincinnati, I was occasionally referred to as an "Ohio Poet;" this made me uneasy, not only because I think of myself as a generally American poet but also because I like to think I write out of the country of my own mind.

  Cate Marvin

  Country, Writing, Thinking

  Source: www.redividerjournal.org

• I admire the poetic relationship to place as enacted in Wallace Stevens' poems; his poetics strikes me as an argument against the restraints of realism.

  Cate Marvin

  Argument, Poetic, Strikes

  Source: www.redividerjournal.org

• I find the elitism and blatant provincialism of many (Manhattan-based) New Yorkers unattractive. Just as place can be an identity crutch that helps a person feel individual, place can be a crutch in poetry.

  Cate Marvin

  Identity, Manhattan, Unattractive

  Source: www.redividerjournal.org

• New York is one of those places people tend to derive a sense of identity from - as if, were to you to remove them from the City, they'd turn limp and colorless.

  Cate Marvin

  New York, Cities, People

  Source: www.redividerjournal.org

• When asked what I'd be if I weren't a writer, I'm tempted to respond with one of father's favorite phrases, one I despised while growing up: "I hate 'what-ifs.'"

  Cate Marvin

  Growing Up, Father, Hate

  Source: www.redividerjournal.org

• I've just always loved animals. So I've often thought that if I weren't a writer I'd work for some nonprofit organization that does something positive for animals.

  Cate Marvin

  Animal, Organization, Doe

  Source: www.redividerjournal.org

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