Latest Robert Glasper Quotes from Interviews

Quotes about:

• It's funny, now that we have Twitter and Facebook and stuff, you can really see how you affect fans. Before all that, fans couldn't tell you exactly how they feel, unless they came up after a show, and even then you can't stand there and talk to everybody in the audience. So it's nice to see people tweet me and say, "Your music has changed my life," or "I had my baby to your music," or "I got married to your music." I've heard so many things, and it's amazing to hear people's stories and how you affect their life.

  Robert Glasper

  Baby, Nice, People

  Source: www.interviewmagazine.com

• I think the people who are saying jazz has to sound a particular way, or "what you're doing isn't jazz," are just scared because they can't do it. A lot of them just aren't talented enough to do anything new, honestly. It's the people who are talented enough and who have the open mind and who are forward-thinkers are the ones who are doing something new. You tend to hate on what you can't produce.

  Robert Glasper

  Hate, Thinking, People

  Source: www.interviewmagazine.com

• A lot of people in the jazz community are looking at how much notoriety we're getting. And we're an inspiration to a lot of young people, because now there's something new they can aim for that's in their grasp. Because a lot of times when you attend a jazz college it's all about the history, none of the teachers there are forward-thinking, for the most part, so they don't teach you how to be yourself and embrace the music around you.

  Robert Glasper

  Being Yourself, Teacher, Inspiration

  Source: www.interviewmagazine.com

• I think we're an inspiration to young people, to know they can be honest and not run away from influences that are not jazz. We're definitely breeding a new wave of jazz, for real.

  Robert Glasper

  Running, Real, Inspiration

  Source: www.interviewmagazine.com

• Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.

  Robert Glasper

  Song, People, Creative

  Source: www.interviewmagazine.com

• For the most part, 99 percent of jazz is boring; you've heard it before. People aren't doing anything creative that's extremely modern. They tend to always be like "Let's do a tribute to Miles Davis!" All the new albums are tributes to history. It becomes too much at a certain point, it leaves us waving like "Hello? I'm alive, I'm here!" You know? So I really do feel like it needs some spice, it needs to be relevant to today's times, today's people, today's sound.

  Robert Glasper

  People, Creative, Jazz

  Source: www.interviewmagazine.com

• Sometimes I'll write a song first and then I'm like, "Oh this person will be great on this song." But there are some artists I know what want, like off the top I knew I wanted Brandy and Faith Evans. Their music is like the soundtrack to my life, so it was a personal thing for me. So once they said yes, I wrote songs specifically for them.

  Robert Glasper

  Song, Writing, Artist

  Source: www.interviewmagazine.com

• That's a skill that I'm proud of: to be able to be a jazz musician and go a bit crazy sometimes and other times be able to pull it all in and lay it down like a track.

  Robert Glasper

  Crazy, Track, Proud

  Source: www.interviewmagazine.com

• My fan base is extremely random. It's the 14-year-old white kid sitting next to your auntie from St. Luke's Baptist Church, to the 20-year-old Black girl who probably would go to a Rihanna concert, but she's coming to my show.

  Robert Glasper

  Girl, Kids, Years

  Source: www.pbs.org

• Jazz is a state of mind. There's no boundaries.

  Robert Glasper

  Mind, Jazz, Boundaries

  Source: www.pbs.org

• I think there's good music out there. I just think that radio stations don't play it.

  Robert Glasper

  Thinking, Play, Radio

  Source: www.pbs.org

• When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.

  Robert Glasper

  Mean, Skills, Jazz

  Source: www.pbs.org

• Experiment is actually doing the art. That's the experiment and then you get to experience the experiment.

  Robert Glasper

  Art, Experiments

  Source: www.pbs.org

• If I was a singer who won those Grammys, I'd be gracing all the magazine covers... I barely got asked to do an interview.

  Robert Glasper

  Magazines, Singers, Interviews

  "How Jazzman Robert Glasper Won Over the Hip-Hop Heads". Interview with Jacob Blickenstaff, www.motherjones.com. June 29, 2015.

• Instead of hearing, "Oh, he's good," I'd rather hear, "Wow, you changed my feelings today, you made me feel different."

  Robert Glasper

  Feelings, Different, Wow

  Source: www.motherjones.com

• It's the repetitive thing that brings space. That's one of the things I love secretly about hip-hop. Jazz doesn't have that element. It changes every bar, nothing is ever the same.

  Robert Glasper

  Space, Hip Hop, Bars

  Source: www.motherjones.com

• I think there's beauty in repetition. And that's part of my culture and African culture as well: repeated things, mantra. It's spiritual, it's meditation, it's Buddhism, it's praying, it's all these things.

  Robert Glasper

  Spiritual, Buddhism, Thinking

  Source: www.motherjones.com

• I grew up in church. That's how most young African American musicians learn how to perform. You could be six years old and playing organ or drums in front of thousands or hundreds of people.

  Robert Glasper

  Years, People, African American

  "How Jazzman Robert Glasper Won Over the Hip-Hop Heads". Interview with Jacob Blickenstaff, www.motherjones.com. June 29, 2015.

• A lot of times, jazz musicians try to educate people. What other genre does that?

  Robert Glasper

  People, Trying, Musician

  Source: www.motherjones.com

• "Cannonball Adderley said, 'First 20 minutes we'll jazz out, then the last hour it's gonna be songs that people paid to see.' Which is why he was driving a Rolls-Royce."

  Robert Glasper

  Song, People, Lasts

  Source: www.motherjones.com

• Once I started getting mainstream people to my shows, I realized we were taking too many solos, and they were too long. I started gauging when people were going on their iPhones.

  Robert Glasper

  Iphone, Long, People

  Source: www.motherjones.com

• It came from my mother. She was a singer, and literally every day of the week she sang at a different club in a different genre of music: country, R&B clubs, jazz clubs, church on Sunday morning where she was the music director, pop hits, soft rock. I grew up listening to all this music, so it was never one thing for me.

  Robert Glasper

  Country, Mother, Morning