I'm not a racist, but I do have to work at not being a racist, because of where I grew up.
I don't get in vote in whether or how people remember me when I'm gone. It's really dangerous to sit around and worry about it too much, for me. It gets me way too in myself to worry about what people are going to think about me when I'm not around anymore.
I don't spend a lot of time feeling sorry for myself, trying to compare how many records I've sold or how much money I've made.
People can try to make me into anything they want, but I think they're really throwing around language but saying the same thing.
My therapist says that I choose women that I couldn't possibly succeed in a relationship with because I really want to be alone. Which sounds complicated and convoluted to me, but I don't know. Maybe she's right. There's a part of me that wants that.
I'll never believe that Americans have racticed in our history anything close to the purest form of democracy of the world. Because there are lots of democracies around the world that function better than ours does. It's always been that way. There's some truth to the idea that it's rigged, but there is a way that it's supposed to work that.
When I write something simple I'm always really proud of it. When you write something that simple with that much air in it and the whole premise behind it is something pretty obvious - that everybody wants to be happy and free - the song is sort of an exercise in not forgetting that's what you really want and what you really need. We can get caught up in a lot of other stuff.
I was comparatively late in understanding Bob Dylan's overwhelming importance as a songwriter. Everybody who does my job exists in the shadow of Bob Dylan. There are two categories: Dylan and everybody else. It's as simple as that. And it's going to be that way until he dies.
Bob Dylan emerged from nowhere, like an alien. And that was just the start.
From the moment [Bob] Dylan arrived as a songwriter, he was [so] much better than everybody else around.
Critics are notoriously liberal with their use of the term 'genius'.
Bob Dylan is one of the very few people in the history of popular music who you can unquestionably apply that word [genius] to.
I'm not a Democrat; I'm something well to the left of a Democrat, but I'm just realistic about the system.
I can deal with conservatives in a democracy. With real conservatives, I don't agree with them, but I understand why they believe what they believe and I believe they're being honest with me about it.
When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.
My main area of activism is the death penalty, and it will continue to be once this crisis is over with.
What songwriting does better than almost anything is empathy - it's incredibly empathetic. The reason people sat around in bars when they were bummed out and listened to country songs is because it made them feel better in the long run.
I wasn't raised to not write about issues, and I'm just living in really politically charged times. You know, I'd rather write songs about girls, but it's just hard to do right now.
People hate good books to be over. I wish I could write a 700-page book.
Every leap forward that I make is by reaching back and firmly getting a footing in the past, and pushing forward as hard as I can.
You make decisions, and that's what separates art from some other pop music. It doesn't mean that you can't make an embarrassing amount of money, for a borderline Marxist, doing something that you love, but it does mean that this huge pool of money that was out there when I started making records in the '80s is gone.
I have no doubt in mind that I justify the space I take up in the world.
What's important is you wake up in the morning and something doesn't exist, and when you finish you day's work something is in the world that wasn't there before.
Songwriters are expanding time rather than compressing time. My short stories tend to be old fashioned, with a beginning, middle and end.
My gift's primarily literary. That being said, I ended up a musician. By the time I made the bluegrass record...I'm more impressed with myself when I push the envelope musically than I am when I push it literality.
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