There's nothing worse than a director that keeps changing their mind. Because, unlike the directors I work with, I'm not decisive at all.
I like directors that give their composer a juicy role in their films. Some films have a small, minor role for music, some have a larger role.
Composers are in some ways the last frontier of musician that gets a paycheck for their musical services.
I'm kind of an antisocial person. I realised when I was playing in bands that I wasn't that comfortable being on-stage, and I preferred to be behind-the-scenes. I like the seclusion of composing.
If I had kids, I don't think I would recommend they pursue a career in music.
Singer/songwriters spend two or three years making an album, and then it goes up for sale and everybody pirates it and you don't make any money. Whereas, writing a film score you still get presented with a paycheck.
I think the music business is becoming more difficult. It's really taken a big hit with piracy, so it's a lot more difficult. I mean, it was kind of an impractical career choice when I did it 25 years ago, but nowadays it's truly reckless.
I've never tried to work chronologically. I don't think I have the discipline to do that.
I don't like to write any music to a script. Experience has taught me that's generally a waste of time.
Censorship has kind of disappeared in a way because everything is accessible online.
When you've finished the film and everybody's already made back all their money, everybody just leaves you alone and I'm very happy. That's what it has to be like.
If you want to survive in the film industry, it's not about fighting for your visions because that's a given. It's thinking about how much is your vision going to cost, and then, what are the consequences, because you may have $100 million, but the reality is that $100 million needs to make $500 million to be a success.
It's very important that you never depend on money to fulfill your creative vision. If you do that, you're doomed to fail.
The way that I make films is that I sit down and I think, "How much money could I get with less consequences?" And that's how I start. I'd rather have less money and total autonomy than more money and start having to answer to things, because then I'm not being true and the money men are not being true.
I like challenges and I definitely would like to be more of a chameleon.
I think there is quite a continuity over my 25 years of doing music, and I'm always trying to break away from it.
I'm not in a position in my career where I turn things down. I'm very easy. So the projects often dictate the direction you will go in. I welcome things that challenge me.
I'm kind of conservative. I like to build on what I've done in the past and try something new.
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