Whatever you do, whether you're doing a television drama or a romantic comedy, you want to be relevant, to some degree.
I never wanted to show up and just say, "Okay, what are we doing today? Let's wing it!"
I want to explore different topics and present them in slightly different ways.
When people come in the door and they have something, discovering and exploring the character is a real joy.
There's something very special about knowing what you want to do and knowing the story you want to tell, but finding it together.
Depending on which side you're on, maybe the police are too objective and need to be a bit more subjective.
You can treat faith as part of people's it's lives.
We all hope that the police and prosecutors are objective. That's their job, but sometimes it's not true.
My kids will find me walking around the house talking to myself and think I'm going crazy. I like to read the scripts out loud and really get the rhythm for the dialogue.
When entertainment works the best, you're creating an apparatus to convey emotions.
I don't think it's good when entertainment tries to proselytize and I don't think people ultimately want someone showing up in their living room and just hectoring at them all day long. But if you can create a space where people are caught up in something - whether it's a drama, a comedy, a romantic comedy, or science fiction - that's when people give over their minds and allow their emotions to flow.
As a writer, as a storyteller, you have to have your emotions close, and the older I've gotten, the less I've worried about not displaying emotions.
When I was young and I look at the things that I wrote - I don't think that was the word they used back then, but they had a hipster sensibility. They were a little irreverent.
I think I'm an overly emotional person. I feel a lot, but I don't believe that's unique to me or that's how I am able to do the things I do.
I don't know when I made that active decision to be a writer or to try to write, but I know I always liked storytelling.
At an early age, I knew there were a lot of things I couldn't do. My father was a doctor, and my mother was a teacher. I knew I wasn't good in numbers, and I knew I wouldn't work well in overly structured environments.
We see films all the time, whether they have access to all kinds of intellectual property or artifacts, and the one thing that they don't get is story. So I think whether you're talking about a biopic or an action film or a science-fiction film that has all the CGI in the world, if you're not trying to connect with an audience, it doesn't really matter.
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