I love dipping into worlds at a fast and furious pace. A little glimpse allows the audience to put together the rest of that world in their brain. I love sketches that require the audience to piece together the comedic engine themselves. Give them all the information but not tell them what the scene is about so they can have that eureka moment of, "Oh my God, he's only used to the way urban students pronounce their names. That's what's going on here.".
Certainly, black horror movie fans have, you know, been particularly vocal. I mean, there's the whole Eddie Murphy routine about, you know, black people in a horror movie wouldn't last very long. Right? They just walk in - you hear get out. Too bad we can't stay, baby.
The audience's imagination will do a better, more personalized version of the horror than you can actually paint. So that just, you know, with something like "The Blair Witch Project," which is, you know, whatever, it's 89 minutes of people running through the woods and one minute of, you know, a guy standing in a corner.
A part of being black in America and, you know, I presume being any minority, is constantly being told that we're being too aware of race somehow, we're obsessed with it or we're seeing racism where there just isn't racism.
I'd been taught from an early age that I was in the other category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
If it's comedy, you taken an absurd comedic notion and you apply it to reality. If it's horror, if it's a thriller, you do the same thing.
I look at racism as one of the social demons. And, in its worst, it's violent and it's a systemic commitment to oppression.
I don't think that humans are, in our nature, we're evil or anything like that. But I do think there's a demon in our DNA, in our tribal subconscious that affects the way we work and we operate as a group.
For me, the social thriller is the thriller in which the fears, the horrors, and the thrills are coming from society. They're coming from the way humans interact.
I think that human beings are the most awful monster we have ever seen.
The scariest monster in the world is human beings and what we are capable of, especially when we get together.
I can fathom anything, man. I love biting off more than I can chew and figuring it out.
You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else. My style of filmmaking happens to be give the audience what they know they don't want, but they want. Ultimately I have to write and direct in a way that let's just say, you don't want to regret making a choice.
Sometimes blessings come in strange packages.
With a horror movie, you want to know where the engine of the fear is coming from. Like in comedy, you want to know what the engine that's going to make the comedy - where that's coming from.
How we act with each other really reveals our most animal instincts.
We can convince ourselves to do things in conjunction with one another that we wouldn't have been able to do as an individual.
When people get together, we are capable of the most beautiful, amazing things. But we are also capable of genocide.
We haven't done enough work to encourage minorities to strive to make movies. Hollywood is a place full of white male directors - there are many good ones. We just haven't nurtured our voices.
With a horror movie, you're making a metaphor. You're making a personalized nightmare for the protagonist.
There might be some sinister modern form of slavery going on.
I just think racism is within each and every one of us. It's everyone's responsibility to figure out how they deal with this kind of obsolete instinct.
A greater truth that I think we are faced with on a day-to-day basis as minorities is: We are the color of skin first and people second.
Race is a universal flaw in humanity. So yes, I've been in many situations where I've felt like the outsider because of the color of my skin.
Back when we were Neanderthals or whatever, we evolved to think along tribal lines. Survival was based on this idea of who are we and who are the others who will come and take our resources. I think it's an animal and a human thing that we all see in terms of us vs. them, and race is a very easy way to separate who is us and who is them.
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