Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
The irony of a director going to film festivals is you never get to see any of the films.
Great acting is all about being in the moment, being in the present tense.
Nowadays filmmakers tend to recycle the same cliches over and over again.
I was always obsessed with finding truly researched images to add authenticity, out of that came something totally contemporary and modern. Research is very key to my process because over and over again, reality provides more interesting images than you could have invented.
Films about the English monarchy, they tend to have a lavishness, sumptuous imagery, it's all very posh and rich.
There's something about being cerebral, intellectual, and yet emotionally repressed [in being villain]. If you think someone's doing this [bad] stuff and they're in complete control, that's more scary than if they're out of control.
A British villain never loses their sense of humour.
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