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  • It's very intuitive, the way that I approach my work. I only buy something that has a pulse. I may not know how I'm going to use it, but I know it has a pulse and it has multiple readings - if I shift it one way or another, it can be read this way or it can be read that way, but both readings are critical and very much ground the work.

    "Nick Cave’s Object Permanence" by Alexandria Symonds, www.interviewmagazine.com. May 19, 2014.
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