Authors:
  • The eye can travel over the surface in a way parallel to the way it moves over nature. It should feel caressed and soothed, experience frictions and ruptures, glide and drift. One moment, there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events.

    Bridget Riley, Arts Council of Great Britain (1984). “Working with colour: recent paintings and studies”