What makes a man a man? It's the choices he makes. Not how he starts things but how he finishes them.
"What makes a man a man?" a friend of mine once wondered. Is it his origins? The way he comes to life? I don't think so. It's the choices he makes. Not how he starts things, but how he decides to end them.
Salt, gathered from the tears of a thousand angels, restraining the essence of Sammael, the Hellhound. The Seed of Destruction. This I can promise, Sammael, for every one of you that falls, two shall arise.
Hellboy?” “What?” “Touch me. Make me forget all this.” He was on her in an instant, took her down to the floor before she could blink.
I always thought what if you took a myth of childhood like the tooth fairy and made it a central scary thing. We did it on Hellboy and we did it on 'Don't be afraid of the dark'.
I'm a lifelong movie addict, and one of my favorite projects is making replica props and costumes. Nearly every one of these - from R2D2 to Hellboy's revolver - ends with the paint job. And it's not just cosmetic. The paint literally tells a story: what this thing is made of, where it's been, what it's been used for, and for how long.
They're getting more and more experience on what to expect, and the Hellboy audience is such a faithful and fanatic audience as I am, and you have to really be very open about what you do
Hellboy is the first movie where both ends of the spectrum are combined
or simply:
