I don't want to live in an ivory tower, being the songwriter who just turns inward.
When they come downstairs from their Ivory Towers, idealists are very apt to walk straight into the gutter.
Smooth shapes are very rare in the wild but extremely important in the ivory tower and the factory.
An ivory tower is a fine place as long as the door is open.
I think public intellectuals have a responsibility - to be self-critical on the one hand, to do serious, nuanced work rigorously executed; but to also be able to get off those perches and out of those ivory towers and speak to the real people who make decisions; to speak truth to power and the powerless with lucidity and eloquence.
Language evolves and moves on. It is an organic thing. It is not stuck in an ivory tower, hung with expensive works of art.
I don't ascribe to the idea of the ivory tower composer who sits alone in a room composing his masterpieces and then comes down from Mount Sinai with the tablets. It doesn't work like that. The job of a composer is putting something down on a piece of paper that will inspire the person who's playing.
It used to be that readers were relegated because they considered themselves far above society, and so the metaphor of the ivory tower developed. Now there's still this idea that the reader doesn't take part in the social game and in politics, the res publica, but for other reasons: he doesn't do it because he's not making any money.
It's a fallacy that writers have to shut themselves up in their ivory towers to write. I have all these interruptions, three of which I gave birth to. If I was thrown for a loop every time I was distracted I could never get anything done.
I'm not a believer in putting designers off in an ivory tower. They need to have a voice at the table so they can identify where and why design can make a difference. We also need to understand the business issues. If we don't make our numbers this quarter, we don't earn the right to do something cool the next time.
The artist's life is to be where life is, active life, found in neither ivory tower nor concrete shelter; he must be out listening to everything, looking at everything, and thinking it all out afterward.
Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? In some respects historical research is analogous with that of science. The bringing to light of factual material and the development of ideas is to a large extent cumulative. But when artists themselves were, from about 1910, beginning to tear down the bastions protecting Art in its ivory tower, questioning the idea of Art with a capital 'A', photography was inevitably to assume a new stature both in the eyes of artists and the public, too.
As for mathematicians themselves: don't expect too much help. Most of them are too far removed in their ivory towers to take up such challenges. And anyway, they are not competent. After all, they are just mathematicians-what we need is paramathematicians, like you... It is you who can be the welding force, between mathematicians and stories, in order to achieve the synthesis.
Many live in the ivory tower called reality; they never venture on the open sea of thought.
Human history has become too much a matter of dogma taught by 'professionals' in ivory towers as though it's all fact. Actually, much of human history is up for grabs. The further back you go, the more that the history that's taught in the schools and universities begins to look like some kind of faerie story.
Jan built herself an ivory tower to keep the wolves out; she never dreamed they were already inside.
The commonest ivory tower is that of the average man, the state of passivity towards experience.
Well, start waving and yelling, because it is the so-called Oxford comma and it is a lot more dangerous than its exclusive, ivory-tower moniker might suggest. There are people who embrace the Oxford comma and people who don't, and I'll just say this: never get between these people when drink has been taken. Oh, the Oxford comma. Here, in case you don't know what it is yet, is the perennial example, as espoused by Harold Ross: "The flag is red, white, and blue." So what do you think of it? Are you for or against it? Do you hover in between?
That's a big part of being a designer now: going out, having dinners, meeting people. Being in an ivory tower, you can feel very removed.
We look down on our scientists if they engage in outside consultation. We implicitly promote the ivory tower.
or simply:
