I mean, I have done scenes with animals, with owls, with bats, with cats, with special effects, with thespians, in the freezing cold, in the pouring rain, boiling hot; I've done press with every syndication, every country; I've done interviews with people dressed up as cows - there's honestly nothing that's gonna intimidate me!
Although extraordinary valor was displayed by the entire corps of Spartans and Thespians, yet bravest of all was declared the Spartan Dienekes. It is said that on the eve of battle, he was told by a native of Trachis that the Persian archers were so numerous that, their arrows would block out the sun. Dienekes, however, undaunted by this prospect, remarked with a laugh, 'Good. Then we will fight in the shade.
We're creating multiple personas. We're creating a thespian sense of personality where we see ourselves as works of art, and we see everything in our environment as a prop, as a set, as a stage, as a backdrop for filling ourselves in. We don't see ourselves as ever completed. We are in-formation.
Action is always seen as the bottom rung of thespian endeavour, that's just the way it is.
I used to have to downplay my sexuality because I wanted to be taken so seriously as a thespian and as an artist and as an actor, so I'd play crack heads and down trotting women and disguise myself, and I think as I've gotten older, I become more comfortable with who I really am and all parts of me knowing that my physical self doesn't diminish me in any way or my talent.
I think there are three types of actors. There are the ones that do the ego thing, which is "I'm never going to look bad in a movie, ever." This is mostly the action film dudes, like, "Nah, hell no. He ain't punchin' me! I'd whoop his ass!" Then you've got the activist type who bases their decisions in the development of a character on what it symbolizes to society - what the ethical code is. And then the third type is a true thespian who doesn't give a flying rat's ass what it is as long as it's deep, powerful, and painful, and they will dive in headfirst. I really respect those people.
If De Niro wants to spend the twilight of his career as the McDonald's of master thespians, we can't stop him.
I was definitely a thespian of sorts in elementary school. I went to a real small private school and every year I participated in the talent shows and the school plays, all of 'em.
Orson Welles, who said to Anita Bryant, Stop picketing me. What I said was I was a thespian. Never got a dinner!
I am a thespian trapped in a man's body.
It's not like I'm dying to do work that's taken seriously, and I'm not looking to become a thespian. It's not what I'm looking for; I'm just looking to do quality work.
I subscribe to that school of thespian - to be a wandering minstrel or traveling player, a thing of rags and patches, of ballads, songs and snatches.
[There is] type [of actors ]a true thespian who doesn't give a flying rat's ass what it is as long as it's deep, powerful, and painful, and they will dive in headfirst. I really respect those people. Meryl Streep is amazing at it.
I'm a thespian. I don't like to improv. I don't like to go off course 'cause I think that's where stuff happens. When you stick to the material 'cause it's written so well, that's where the magic happens.
I was a gay kid in high school in the late '90s, and I was in theater club. I was never a thespian. I was much more of a lighting guy or a backstage guy. Because I wanted to do something easy for the rest of my life, I thought, "Maybe I'll go and apply to colleges that specialize in theater set design. I'll do that. That's what I want to do". With theater, really, I'd be around the gays.
or simply:
