If I am dissatisfied, it's simply because good photos are few and far between. A good photo is a miracle.
It's a very frustrated feeling you get when the only people with good photos of you work are the police department.
Good photos have come when I least controlled the situation.
Everyone should understand that getting good photos is paramount to everything. You have to do what it takes and often comfort and sleep are the first casualties of an assignment.
I am not an artist, and I never intended to be one. I hope I have made some good photographs, but what I really hope is that I have done some good photo stories with memorable images that make a point, and, perhaps, even make a difference.
When you start thinking as far as what's a good photo, unfortunately everything starts looking like a good photo.
Before digital, I spent thirty years shooting color transparencies, which are very unforgiving of exposure. A half stop can make or break a good photo on slide film.
I've been collecting photos for a long time, I mean since I started making money. But what you have had to go through to find a good photo is like a needle in the haystack sometimes. You'll drive from one gallery to the next gallery to the next gallery. It's not an easy process. It's a very ancient model that just hasn't caught up with the times.
In 1982 I bought the newly released Makina Plaubel 55mm fixed-lens camera. With this shift from 35mm to 6 x 7, I also changed from black and white to color. Later that year, I started my project on New Brighton called The Last Resort. However, the first project I shot in colour was composed of urban scenes from Liverpool. This image was on the second roll of film. It's the first good photo I made in this new chapter of my work.
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