The Maria Mayer shell model suggestion in 1949 was a great triumph and fitted my belief that a nuclear shell model should represent a proper approach to understanding nuclear structure.
I listen to John Mayer when I get ready. He's my calmer.
There's a fantastic, thousand-page book by David Thomson about [David O. Selznick]. Again, it's not the best argument or the best advertisement for his story, because most people aren't going to read a thousand-page book. But I feel like the rise and fall and the work [Mayer] produced - not just the movies, but the memos, the volume of writing - he's just so passionate, and that's really exciting.
I'm listening to a lot of John Mayer again. I stopped listening to emotional music because I was in a really emotional place in my life.
We do have American Idiot picked up by HBO and I wrote the record and concept to it. [We have] the writer Rolin Jones and [director] Michael Mayer [who also directed the Broadway production], so we'll see what happens.
The heads of the studios, like Louis B. Mayer, didn't want to create any more musical stars. So Bobby [Fosse] left and went to New York City to be a choreographer, and created brilliant work.
I remember when I first walked into Mayer's cavernous office. You had to walk 50 yards to get to him, and in that time he could really study everything about you.
Beachy Head brims with electrical currents flying backwards and forwards, with the force of poems that have been well fought out and felt. I hear the currents of Alice Notley, of Bernadette Mayer, of Eileen Myles, and Sylvia Plath
Mayer Hawthorne's old school pop-R&B homages are so meticulous that it's tempting to overrate his pipes.
I grew up in the '80s and '90s listening to Public Enemy and Mobb Deep and the Smashing Pumpkins. I don't even know what it was like in the '60s - I wasn't alive then - so the Mayer Hawthorne sound is taking what I can learn from the classics, and blending it with my hip-hop DJ and producer background and punk-rock bands that I played in as a kid.
I didn't get the degree because in my last year, for my thesis film I made a feature called Permanent Vacation and they'd given me a scholarship, the Louis B Mayer fellowship and they made a mistake.
Louis B. Mayer came out west with $28.00, a box camera and an old lion. He built a monument to himself -- the Bank of America.
In England when you make a movie even the weather is against you. In Hollywood the weatherman gets a shooting schedule from all the major studios and then figures out where he can fit in a little rain without upsetting Metro-Goldwyn-Mayer too much.
Louis B. Mayer is one of those with a claim to posessing the equation... he began to buy up nickelodeon arcades in the years before the First World War in and around Boston. He had noticed that people liked going into the dark to see the light... the appeal of the movies is beyond the sensible, rational or the hard-working. Going into the dark, afte centuries of progress in which mankind has staggered toward artificial light, smacks of delicious perversity.
Louis B. Mayer and I got along like a house afire. He never chased me around his desk or tried anything with me. Of course, he never gave me any good parts, either.
Things have changed a great deal since the days of Mr. Mayer. The studios no longer control, as they did in those days, artists or directors or producers, as the case may be.
Louis B. Mayer once looked at me and said, "You will never get the girl at the end." So I worked on my acting.
I adore John Mayer. I don't see how anything that surrounds John could be negative.
I love collecting guitars, even though I can't play well. My favourite guitarists are Richie Blackmore, Jimmy Paige, and John Mayer.
But, I've always loved John Mayer and I think T-Pain is brilliant.
I have a theory that the answers to all of life's major questions can found in a John Mayer song.
[Stephanie] 'You see, Mrs. Mayer was going on about George's lodge, and how he wanted to be buried with his ring, and so Grandma had to check the ring out, and in the process broke off one of George's fingers. Turns out the finger was wax. Somehow Kenny got into the mortuary this morning, left Spiro a note, and chopped off George's finger. And then while I was at the mall tonight with Mary Lou, Kenny threatened me in the shoe department. That must have been when he put the finger in my pocket.' [Morelli] 'Have you been drinking?
But this is such a "Wheel" moment. That song rocks. The best part is where John Mayer says how our connections are permanent, how if you drift apart from someone there's always a chance you can be part of their life again. How everything comes back around again.
I think that what happens is that all of my modern influences blend together with the older soul influences and you get Mayer Hawthorne.
I got a job at Metro and went in to see Louis Mayer, who told me he wanted me to be a producer. I said I wanted to write and direct. He said, "No, you have to produce first, you have to crawl before you can walk." Which is as good a definition of producing as I ever heard.
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