Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.
Our bodies like rhythm and our brains like melody and harmony.
Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous.
Yoga is like music: the rhythm of the body, the melody of the mind, and the harmony of the soul create the symphony of life.
Happiness is when what you think, what you say, and what you do are in harmony.
Home should be an oratorio of the memory, singing to all our after life melodies and harmonies of old-remembered joy.
Now they are a circle, and they vibrate together, they pulsate together. Their hearts are no longer separate, their beats are no longer separate, they have become a melody, a harmony. It is the greatest music possible, all other musics are just faint things compared to it, shadow things compared to it.
Music creates order out of chaos.
I think that in a certain sense, we're concerned about the same issues. How do you accent the progressive, the prophetic, those things that are critical of all forms of injustice, all forms of bigotry, all forms of dehumanizing other people, and yet still allow for a certain kind of flow, linguistic flow, certain kinds of melodies and harmonies in the samplings that take place?
I play until my fingers are blue and stiff from the cold, and then I keep on playing. Until I'm lost in the music. Until I am the music--notes and chords, the melody and harmony. It hurts, but it's okay because when I'm the music, I'm not me. Not sad. Not afraid. Not desperate. Not guilty.
Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.
When we listen to improvisational jazz, or solo classical violinists, the way they phrase and inflect melodies feels vocal, like they’re talking to us. When I was figuring out how to perform solo, I wanted to move back and forth between bass riffs, melody, and harmony, so I often used sounds instead of — or alongside — the words of a song. I found that if I sang a line using the consonants, vowels, shadings, and inflection we recognize as human language sounds, people responded as if I were talking to them.
Many people think of me as just a riff guitarist, but I think of myself in broader terms. As a musician I think my greatest achievement has been to create unexpected melodies and harmonies within a rock and roll framework. And as a producer I would like to be remembered as someone who was able to sustain a band of unquestionable individual talent, and push it to the forefront during its working career. I think I really captured the best of our output, growth, change and maturity on tape - the multifaceted gem that is Led Zeppelin.
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