The character we exhibit in the latter half of our life need not necessarily be, though it often is, our original character, developed further, dried up, exaggerated, or diminished. It can be its exact opposite, like a suit worn inside out.
A work should convey its entire meaning by itself, imposing it on the spectator even before he knows what the subject is.
A man who falls straight into bed night after night, and ceases to live until the moment when he wakes and rises, will surely never dream of making, I don't say great discoveries, but even minor observations about sleep. He scarcely knows that he is asleep. A little insomnia is not without its value in making us appreciate sleep, in throwing a ray of light upon that darkness.
Human altruism which is not egoism, is sterile.
Less disappointing than life, great works of art do not begin by giving us all their best.
My dear Madame, I just noticed that I forgot my cane at your house yesterday; please be good enough to give it to the bearer of this letter. P.S. Kindly pardon me for disturbing you; I just found my cane.
A fashionable milieu is one in which everybody's opinion is made up of the opinion of all the others. Has everybody a different opinion? Then it is a literary milieu.
Fashions, being themselves begotten of the desire for change, are quick to change also.
A cathedral, a wave of a storm, a dancer's leap, never turn out to be as high as we had hoped.
Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.
I had long since given up trying to extract from a woman as it were the square root of her unknown quantity, the mystery of which a mere introduction was generally enough to dispel.
La possession de ce qu'on aime est une joie plus grande encore que l'amour. Possessing what one loves is an even greater joy than love itself.
Certainly, it is more reasonable to devote one's life to women than to postage stamps or old snuff-boxes, even to pictures or statues. But the example of other collections should be a warning to us to diversify, to have not one woman only but several.
We may, indeed, say that the hour of death is uncertain, but when we say this we think of that hour as situated in a vague and remote expanse of time; it does not occur to us that it can have any connexion with the day that has already dawned and can mean that death -- or its first assault and partial possession of us, after which it will never leave hold of us again -- may occur this very afternoon, so far from uncertain, this afternoon whose time-table, hour by hour, has been settled in advance.
Perhaps it is not-being that is the true state, and all our dream of life is inexistent; but, if so, we feel that these phrases of music, these conceptions which exist in relation to our dream, must be nothing either. We shall perish, but we have as hostages these divine captives who will follow and share our fate. And death in their company is somehow less bitter, less inglorious, perhaps even less probable.
What we have not had to decipher, to elucidate by our own efforts, what was clear before we looked at it, is not ours. From ourselves comes only that which we drag forth from the obscurity which lies within us, that which to others is unknown.
Having a body is in itself the greatest threat to the mind... The body encloses the mind in a fortress; before long the mind is besieged on all sides, and in the end the mind has to give itself up.
The world was not created once and for all time for each of us individually. There are added to it in the course of our life things of which we have never had any suspicion.
We do not succeed in changing things according to our desire, but gradually our desire changes.
At that time, he was satisfying a sensual curiosity by experiencing the pleasures of people who live for love. He had believed he could stop there, that he would not be obliged to learn their sorrows; how small a thing her charm was for him now compared with the astounding terror that extended out from it like a murky halo, the immense anguish of not knowing at every moment what she had been doing, of not possessing her everywhere and always!
This dim coolness of my room was to the broad daylight of the street what the shadow is to the sunbeam, that is to say equally luminous, and presented to my imagination the entire panorama of summer, which my senses, if I had been out walking, could have tasted and enjoyed only piecemeal; and so it was quite in harmony with my state of repose which (thanks to the enlivening adventures related in my books) sustained, like a hand reposing motionless in a stream of running water, the shock and animation of a torrent of activity.
When I went to Venice I found that my dream had become-incredibly, but quite simply-my address.
Everything that seems imperishable tends to extinguishment.
And so when studying faces, we do indeed measure them, but as painters, not as surveyors.
Let but a single flash of reality -- the glimpse of a woman from afar or from behind -- enable us to project the image of Beauty before our eyes, and we imagine that we have recognised it, our hearts beat, and we will always remain half-persuaded that it was She, provided that the woman has vanished: it is only if we manage to overtake her that we realise our mistake.
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