Beauty is less important than quality.
Why do you always insist on playing while I'm trying to conduct?
Let me explain what I do here. I don't want to confuse you any more than absolutely necessary.
Thank you for your cooperation and vice versa.
The next movement is still in the factory.
It is not together, but the ensemble is perfect.
That's the way it was every time I studied it.
I can see none of you are smugglers; that's why it's so loud.
That was perfect. It was just the opposite from what I said yesterday.
I need one more bass less.
[conductor Eugene Ormandy introduces Warfield to the audience in an unintentionally humorous way:] With us tonight is William Warfield, who is with us tonight. He is a wonderful man, and so is his wife.
Who is sitting in that empty chair?
Think of your girlfriend or boyfriend or whomever you want to.
Someone came too sooner.
There was confusion since I stood here 35 years ago.
We do not know when he is coming. He is coming tomorrow.
Yes, the mutes are already on. You took them off in the beginning.
Long note? Yes. Make it seem short.
Mahler wrote it as the third movement of his Fourth Symphony. I mean the fourth movement of his First Symphony. We play it third. The trumpet solo will be played by our solo trumpet player. It's named 'Blumine,' which has something to do with flowers.
I'm conducting slowly because I don't know the tempo.
Suddenly I was in the right tempo - but it wasn't.
Start three bars before something.
During the rests - pray.
We have to play it longer because there are no numbers or letters.
Why do you always start after my beat then rush to catch up? Do you want us to stay behind?
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