I try to weave a secret into each plot. It's the thread that holds the rest of the story fabric together. In fact, it's the reason for the story. I hint at the secret early on. Immediately I want the reader to get the feeling that something here isn't quite right. It helps maintain the suspense if a puzzling element is introduced in the first few pages of the book, but the answer isn't revealed until the final ones. Hopefully, readers want to know what the heck is really going on, and it's the desire to find out that keeps them turning pages.
I have no personal knowledge of, or experience with, paramilitary hate groups, or heart transplantation, or escapees from maximum security prisons, or what it's like to be profoundly deaf. But I've written about all these topics, and the books became bestsellers. I figure that if something interests me, there's a reasonably good chance that it's going to interest the reader, too. As I approach my keyboard each day, I remind myself to have a good time - as good a time as one can have doing the hardest work there is.
Should men and women be equal in all things? Absolutely. But I'm old-fashioned in that I like the differences between the sexes. My male characters are neither Neanderthals nor Prince Charmings. They're flawed.
For each book, there's a back story of where the idea came from. Sometimes it's derived from a current event or topic of discussion. Often it begins with a character. And often, I have NO idea what sparked the idea. It's just there.
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