Do I feel famous? I feel more famous than I did 10 years ago, absolutely.
There's nothing worse than an anxiety-filled, fearful actor who just needs that next job, because they're not gonna get that next job. Any time I got a job that made me feel good about myself, or made me feel, "Hey, I'm working my way up," then good adds to good. Because it makes you feel better about yourself, and that makes you more attractive, I think.
We have some extremely talented people that we've ripped off the Broadway stage. It's awe-inspiring how talented they are, and how can-do they are. They're at that stage of life where it's like, "Yeah, let's put on a show!" That's really fun to watch.
We still listen to the original lush arrangements with the orchestras.
We did an a cappella version, which I have always wanted to do, of the "Coventry Carol." It's beautiful, and we did it in three part harmony with no accompaniment. We have two a cappella songs that, in my opinion, are just gorgeous.
The thing about Christmas music is the recognizability. It's great.
I work with this wonderful five-piece band, The Tony Guerrero Quintet, along with Kate Flannery, who was Meredith the Drunk in The Office, and Tim Davis, who was the vocal arranger on Glee. The three of us sing, and the band is amazing. We've been working together for about two years. So, we decided to do a Christmas album in July.
When I was a kid, I wanted to be a boy. I really had gender issues. I really thought I was supposed to be a boy. I used to sneak into my dad's room and put on a suit, drink a cocktail, and pretend to smoke a cigarette.
I try not to plan ahead. I just kind of try to think in the moment. I always believe everything will work out the way it's supposed to.
I can still impress my family, yeah. In fact, I always text my family when I meet someone famous. I ran into Anna Faris and I texted my niece, and I said "Just hugged it out with Anna Faris," and she was like, "Oh my God! OMG! OMG!" She got a big kick out of it.
Seeing your work in something animated, you realize how little you have to do with all of it. It's always a surprise, and its always exciting to see. You never know what is going to happen when you're in that room by yourself.
You have the script in front of you. It doesn't involve your body. It's all about your voice. And its fast work. Its also very lonely work. You are by yourself. Very rarely are you in a group. You act with yourself, and someone else mumbles the lines back at you. If at all.
The place you have to start to be any good at this, at acting, is with yourself. Everything is inside of you, all of it - the murderer, the great mother, the therapist, the husband. Everything is inside of us.
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