We're paid to care. That's what actors get their money for. But the main goal is not for the actors to be frustrated at the end of the show, but for the audience to be throwing their shoes at the television set. That's what we're trying for.
I don't think there's anything to be desired in a bunch of people chasing you around, trying to get a piece of your clothing.
That's where I'd like to be: when the business says here's a good actor who is marketable so we can use him. Just that.
If you're not moving forward, you're falling back.
In order to continue to do interesting work, you need to be...proceeding.
The virtue of the country is that it makes you thirsty for the city.
I don't like driving much.
I played Lucky in Waiting for Godot at Yale and it was a thing that Stanislavski talks about: he says you don't need his 'method' if you can count on your inspiration and it was a moment of inspiration that came to me, not in rehearsal but on stage. It hit me right there in the middle of the play and it was great - it travelled into immediate communication.
Separation is painful, and there's such a thing as doing it too much - the limits are how much it hurts.
I think people have some control over what they want; there's a relationship - maybe not automatic - between what you want and get.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: