Kate Morton Quotes

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• You make a life out of what you have, not what you're missing.

  Kate Morton

  Inspirational, Life, Missing

  Kate Morton (2009). “The Forgotten Garden: A Novel”, p.463, Simon and Schuster

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• A girl expecting rescue never learns to save herself. Even with the means, she will find her courage wanting.

  Kate Morton

  Girl, Mean, Expecting

  Kate Morton (2009). “The Forgotten Garden: A Novel”, p.122, Simon and Schuster

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• Memory is a cruel mistress with whom we all must learn to dance.

  Kate Morton

  Memories, Mistress

  Kate Morton (2009). “The Forgotten Garden: A Novel”, p.446, Simon and Schuster

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• Reluctance to begin is quick to befriend procrastination. . . .

  Kate Morton

  Procrastination, Reluctance

  Kate Morton (2010). “The Kate Morton Collection: The House at Riverton and The Forgotten Garden”, p.101, Simon and Schuster

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• No two people will ever see or feel things in the same way, Merry. The challenge is to be truthful when you write. Don't approximate. Don't settle for the easiest combination of words. Go searching instead for those that explain exactly what you think. What you feel.

  Kate Morton

  Writing, Thinking, Two

  Kate Morton (2011). “The Distant Hours: A Novel”, p.229, Simon and Schuster

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• It is a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to be evaporate into the past; should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down.

  Kate Morton

  Photography, Art, Memories

  Kate Morton (2009). “The House at Riverton: A Novel”, p.301, Simon and Schuster

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• It was such a pleasure to sink one's hands into the warm earth, to feel at one's fingertips the possibilities of the new season.

  Kate Morton

  Garden, Hands, Earth

  Kate Morton (2009). “The Forgotten Garden: A Novel”, p.408, Simon and Schuster

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• It's a terrible thing, isn't it, the way we throw people away?

  Kate Morton

  People, Way, Terrible

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• My fingers positively itched to drift at length along their spines, to arrive at one whose lure I could not pass, to pluck it down, to inch it open, then to close my eyes and inhale the soul-sparking scent of old and literate dust.

  Kate Morton

  Eye, Dust, Soul

  Kate Morton (2011). “The Distant Hours: A Novel”, p.63, Simon and Schuster

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• She doesn't know I cry for the changing times. That just as I reread favourite books, some small part of me hoping for a different ending, I find myself hoping against hope that the war will never come. That this time, somehow, it will leave us be.

  Kate Morton

  War, Book, Different

  Kate Morton (2008). “The House at Riverton”, p.90, Pan Macmillan

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• ... for home is a magnet that lures back even its most abstracted children.

  Kate Morton

  Children, Home, Magnet

  Kate Morton (2009). “The House at Riverton: A Novel”, p.80, Simon and Schuster

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• A twinge at the edge of her lips and she continued, the soft, slow lilt of recitation: "Ancient walls that sing the distant hours.

  Kate Morton

  Wall, Lips, Ancient

  Kate Morton (2011). “The Distant Hours: A Novel”, p.59, Simon and Schuster

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• There's a market for mysteries for adults. That feeling of opening a book and delving inside and not coming out until you've closed the book.

  Kate Morton

  Book, Feelings, Adults

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• In real life turning points are sneaky. They pass by unlabeled and unheeded. Opportunities are missed, catastrophes unwittingly celebrated. Turning points are only uncovered later, by historians who seek to bring order to a lifetime of tangled moments.

  Kate Morton

  Real, Opportunity, Order

  Kate Morton (2010). “The Kate Morton Collection: The House at Riverton and The Forgotten Garden”, p.274, Simon and Schuster

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• True love, it's like an illness. I never understood it before. In books and plays. Poems. I never understood what drove otherwise intelligent, right-thinking people to do such extravagant, irrational things. Now I do. It's an illness. You can catch it when you least expect. There's no known cure. And sometimes, in its most extreme, it's fatal.

  Kate Morton

  Book, Thinking, Intelligent

  Kate Morton (2010). “The Kate Morton Collection: The House at Riverton and The Forgotten Garden”, p.421, Simon and Schuster

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• The world was an awfully large place and it wasn't easy to find a person who'd gone missing sixty years earlier, even if that person was oneself.

  Kate Morton

  Years, Missing, Gone

  Kate Morton (2009). “The Forgotten Garden”, p.158, Simon and Schuster

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• She'd slept terribly the night before. The room, the bed, were both comfortable enough, but she'd been plagued with strange dreams, the sort that lingered upon waking but slithered away from memory as she tried to grasp them. Only the tendrils of discomfort remained.

  Kate Morton

  Dream, Memories, Night

  Kate Morton (2010). “The Kate Morton Collection: The House at Riverton and The Forgotten Garden”, p.706, Simon and Schuster

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• She either confused me with a much older child or else she glimpsed deep inside my soul and perceived a hole that needed filling. I've always chosen to believe the latter. After all, it's the librarian's one sworn purpose to bring books together with their one true reader.

  Kate Morton

  Children, Confused, Believe

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• Sometimes, Edie, a person's feelings aren't rational. At least, they don't seem that way on the surface. You have to dig a little deeper to understand what lies at the base

  Kate Morton

  Lying, Feelings, Littles

  Kate Morton (2010). “The Distant Hours”, p.303, Pan Macmillan

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• Rejection is a cancer, Edie. It eats away at a person.

  Kate Morton

  Cancer, Rejection, Persons

  Kate Morton (2011). “The Distant Hours: A Novel”, p.329, Simon and Schuster

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• You'll beat this. I know it doesn't feel like it, but you will. You're a survivor." "I don't want to survive it." "I know that, too," Nell had said. "And it's fair enough. But sometimes we don't have a choice.

  Kate Morton

  Choices, Survivor, Want

  Kate Morton (2009). “The Forgotten Garden”, p.204, Simon and Schuster

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• I probably coughed self-pityingly in response, little aware that I was about to cross a tremendous threshold beyond which there would be no return, that in my hands I held an object whose simple appearance belied its profound power. All true readers have a book, a moment, like the one I describe, and when Mum offered me that much-read library copy mine was upon me.

  Kate Morton

  Book, Simple, Self

  Kate Morton (2011). “The Distant Hours: A Novel”, p.25, Simon and Schuster

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• Mother didn't understand that children aren't frightened by stories; that their lives are full of far more frightening things than those contained in fairy tales.

  Kate Morton

  Mother, Children, Stories

  Kate Morton (2009). “The Forgotten Garden: A Novel”, p.128, Simon and Schuster

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• Hope, how she had grown to hate the word. It was an insideious seed planted inside a person's soul, surviving covertly on little tending, then flowering so spectacularly that none could help but cherish it.

  Kate Morton

  Hate, Soul, Littles

  Kate Morton (2009). “The Forgotten Garden: A Novel”, p.398, Simon and Schuster

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• For it is said, you know, that a letter will always seek a reader; that sooner or later, like it or not, words have a way of finding the light, of making their secrets known.

  Kate Morton

  Light, Secret, Letters

  Kate Morton (2011). “The Distant Hours: A Novel”, p.7, Simon and Schuster

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