Haruki Murakami Quotes About Real World

Quotes about: Real World

• I probably still haven’t completely adapted to the world. I don’t know, I feel like this isn’t the real world. The people, the scene: they just don’t seem real to me.

  Haruki Murakami

  Real, People, World

  Haruki Murakami (2011). “Norwegian Wood”, p.223, Random House

• That's how people live in the real world: forcing stuff on each other.

  Haruki Murakami

  Real, People, World

• This is no honky-tonk parade. 1Q84 is the real world, where a cut draws real blood, where pain is real pain and fear is real fear. The moon in the sky is no paper moon.

  Haruki Murakami

  Pain, Real, Cutting

• Nothing in the real world is as beautiful as the illusions of a person about to lose consciousness.

  Haruki Murakami

  Beautiful, Running, Real

  Haruki Murakami (2011). “What I Talk About When I Talk About Running”, p.66, Random House

• It's a dark, cool, quiet place. A basement in your soul. And that place can sometimes be dangerous to the human mind. I can open the door and enter that darkness, but I have to be very careful. I can find my story there. Then I bring that thing to the surface, into the real world.

  Haruki Murakami

  Real, Dark, Doors

• I go back to the reading room, where I sink down in the sofa and into the world of The Arabian Nights. Slowly, like a movie fadeout, the real world evaporates. I'm alone, inside the world of the story. My favourite feeling in the world.

  Haruki Murakami

  Real, Reading, Night

  Haruki Murakami (2011). “Kafka On The Shore”, p.61, Random House

• What we see before us is just one tiny part of the world. We get in the habit of thinking, this is the world, but that's not true at all. The real world is a much darker and deeper place than this, and much of it is occupied by jellyfish and things.

  Haruki Murakami

  Real, Thinking, World

  FaceBook post by Haruki Murakami from May 10, 2015

• The facts and techniques or whatever they teach you in class isn't going to be veryuseful in the real world, that's for sure.

  Haruki Murakami

  Real, Class, Technique

• Hey, what is it with you? Why are you so spaced out? You still haven't answered me." I probably still haven't completely adapted to the world," I said after giving it some thought. "I don't know, I feel like this isn't the real world. The people, the scene: they just don't seem real to me." Midori rested an elbow on the bar and looked at me. "There was something like that in a Jim Morrison song, I'm pretty sure." People are strange when you're a stranger.

  Haruki Murakami

  Song, Real, People

• It's the real world, full of gaps and inconsistencies and anticlimaxes.

  Haruki Murakami

  Real, World, Gaps

• Those five fingers and that palm were like a display case crammed full of everything I wanted to know--and everything I had to know. By taking my hand, she showed me what these things were. That within the real world, a place like this existed. In the space of those ten seconds I became I tiny bird, fluttering in the air, the wind rushing by. From high in the sky I could see a scene far away. It was so far off I couldn't make it out clearly, yet something was there, and I knew that someday I would travel to that place.

  Haruki Murakami

  Real, Air, Hands

• No matter how clear things might become in the forest of story, there was never a clear-cut solution, as there was in math. The role of a story was, in the broadest terms, to transpose a problem into another form. Depending on the nature and the direction of the problem, a solution might be suggested in the narrative. Tengo would return to the real world with that solution in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. It served no immediate practical purpose, but it contained a possibility.

  Haruki Murakami

  Real, Cutting, Math

  "Town of Cats" by Haruki Murakami, www.newyorker.com. September 5, 2011.

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