Without craft, art remains private. Without art, craft is merely hackwork.
My belief is that art should not be comforting; for comfort, we have mass entertainment and one another. Art should provoke, disturb, arouse our emotions, expand our sympathies in directions we may not anticipate and may not even wish.
I think all art comes out of conflict. When I write I am always looking for the dramatic kernel of an event, the junctures of people's lives when they go in one direction, not another.
Literature, art, like civilization itself, are only accidents.
The ideal art, the noblest of art: working with the complexities of life, refusing to simplify, to "overcome" doubt.
I believe that any form of art is a species of exploration and transgression. ... Art by its nature is a transgressive act, and artists must accept being punished for it. The more original and unsettling their art, the more devastating the punishment.
I believe that art is the highest expression of the human spirit. I believe that we yearn to transcend the merely finite and ephemeral; to participate in something mysterious and communal called 'culture' - and that this yearning is as strong in our species as the yearning to reproduce the species.
The novel is perhaps the highest art form because it so closely resembles life: it is about human relationships. It's technique, page by page, resembles our technique of living day by day-a way of relating.
I am inclined to think that as I grow older I will come to be infatuated with the art of revision, and there may come a time when I will dread giving up a novel at all.
Art is the highest expression of the human spirit.
And what is 'art'? - a firestorm rushing through Time, arising from no visible source and conforming to no principles of logic or causality.
Writing is the most solitary of arts.
One of the qualities of writing that is not much stressed is its problem-solving aspect, having to do with the presentation of material: how to structure it, what sort of sentences (direct, elliptical, simple or compound, syntactically elaborate), what tone (in art, "tone" is everything), pacing. Paragraphing is a way of dramatization, as the look of a poem on a page is dramatic; where to break lines, where to end sentences.
Art is fueled by rebellion: the need, in some amounting to obsessions, to resist what is, to defy one's elders, even to the point of ostracism; to define oneself, and by extension one's generation, as new, novel, ungovernable.
I don't think that any 'ism' is higher than literature or art. So I'm a formalist. I greatly honor and respect the form of a work.
There should really not be anything gratuitous in a work of art. Sometimes what seems as if it's gratuitous may be a passage in which a character is being characterized so that the reader comes to know him or her better.
Art originates in play - in improvisation, experiment, and fantasy; it remains forever, in its deepest instincts, playful and spontaneous, an exercise of the imagination analogous to the exercising of the physical body to no purpose other than ecstatic release.
Art is a means of memorialization of the past, a record of a rapidly vanishing world; a means of exorcising, at least temporarily, the ravages of homesickness. To speak of 'what is past, or passing or to come'-in the most meticulous language thereby to assure its permanence; to honor those we've loved and learned from and must outlive.
Great art is cathartic; it is always moral.
At a time when politics deals in distortions and half truths, truth is to be found in the liberal arts. There's something afoot in this country and you are very much a part of it.
Just as our historical beginnings are utterly mysterious-why are we born? why when and as we are?-so too are the beginnings of works of art and of "artists.
The greatest works of literature seem to embody both "art" and "morality".
Self-criticism is an art not many are qualified to practice.
Art does the same things dreams do. We have a hunger for dreams and art fulfills that hunger. So much of real life is a disappointment. That's why we have art.
We come away from the tragedies of [William] Shakespeare with a profound sense of having encountered reality in its most pristine form - yet the art-work is elaborately artificial, the very genre of tragedy in poetry an anti-naturalist perspective.
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