And, like the great damned souls, I shall always feel that thinking is worth more than living.
I always live in the present. I don’t know the future and no longer have the past. The former oppresses me as the possibility of everything, the latter as the reality of nothing.
Ah, who will save me from existing? It's neither death nor life that I want.
I realize that, while often happy and often cheerful, I am always sad.
For a long time now I haven't existed. I'm utterly calm. No one distinguishes me from who I am. I just felt myself breath as if I'd done something new, or done it late. I'm beginning to be conscious of being conscious. Perhaps tomorrow I will wake up to myself and resume the course of my existence. I don't know if that will make more happy or less. I don't know anything.
The end of lower art is to please, the end of average art is to raise the top, the end of superior art is to free.
To be understood is to prostitute oneself
The beauty of a naked body is felt only by the dressed races.
To love is to tire of being alone; it is therefore a cowardice, a betrayal of ourselves. (It is exceedingly important that we not love.)
My dreams are a stupid refuge, like an umbrella against a thunderbolt.
Blessed are those who entrust their lives to no one.
And I, who timidly hate life, fear death with fascination. I fear this nothingness that could be something else, and I fear it as nothing and as something else simultaneously, as if gross horror and non-existence could coincide there, as if my coffin could entrap the eternal breathing of a bodily soul, as if immortality could be tormented by confinement. The idea of hell, which only a satanic soul could have invented seems to me to have derived from this sort of confusion - a mixture of two different fears that contradict and contaminate each other.
We are two abysses - a well staring at the sky.
Success consists in being successful, not in having potential for success. Any wide piece of ground is the potential site of a palace, but there's no palace till it's built.
I'm the empty stage where various actors act out various plays.
Life is a thread that someone entangled.
Everything is theater.
Inch by inch I conquered the inner terrain I was born with. Bit by bit I reclaimed the swamp in which I'd languished. I gave birth to my infinite being, but I had to wrench myself out of me with forceps.
I'm a man for whom the outside world is an inner Reality.
Let us sculpt in hopeless silence all our dreams of speaking.
Give to each emotion a personality, to each state of mind a soul.
I am the escaped one, After I was born They locked me up inside me But I left. My soul seeks me, Through hills and valley, I hope my soul Never finds me.
To feel today what one felt yesterday isn't to feel - it's to remember today what was felt yesterday, to be today's living corpse of what yesterday was lived and lost.
I'm astounded whenever I finish something. Astounded and distressed. My perfectionist instinct should inhibit me from finishing; it should inhibit me from even beginning. But I get distracted and start doing something. What I achieve is not the product of an act of my will but of my will's surrender. I begin because I don't have the strength to think; I finish because I don't have the courage to quit. This book is my cowardice.
A great emotion is too selfish ; it takes into itself all the blood of the spirit, and the congestion leaves the hands too cold to write. Three sorts of emotion produce great poetry - strong but quick emotions, seized upon for art as soon as they have passed, but not before they have passed ; strong and deep emotions in their remembrance along time after ; and false emotions, that is to say, emotions felt in the intellect. Not insincerity, but a translated sincerity, is the basis of all art.
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