The greatest intensification of the horrors of war is a direct result of the democratisation of the State. So long as the army was a professional unit, the specialist function of a limited number of men, war remained a relatively harmless contest for power. But once it became everyman's duty to defend his home (or his political “rights”) warfare was free to range wherever that home might be, and to attack every form of life and property associated with that home.
The modern work of art, as I have said, is a symbol.
Progress is measured by the degree of differentiation within a society.
The depths modern art has been exploring are mysterious depths, full of strange fish.
To realize that new world we must prefer the values of freedom and equality above all other values - above personal wealth, technical power and nationalism.
An enormous amount of art and literature is erotic in the sense that it stimulates vague sexual emotions, but it has no pornographic intention or effect because "it leaves everything to the imagination." The consumer has to invent his own images, and it is felt, I do not know with what justification, that there is no harm in this.
In History, stagnant waters, whether they be the stagnant waters of custom or those of despotism, harbour no life; life is dependent on the ripples created by a few eccentric individuals. In homage to that life & vitality, the community has to brave certain perils and must countenance a measure of heresy. One must live dangerously if one wants to live at all.
It does not seem that the contradiction which exists between the aristocratic function of art and the democratic structure of modern society can ever be resolved.
It is not my purpose as a poet to condemn war (or to be exact, modern warfare). I only wish to present the universal aspects of a particular event.
The modern poet has no essential alliance with regular schemes of any sorts.He reserves the right to adapt his rhythm to his mood, to modulate his metre as he progresses. Far from seeking freedom and irresponsibility (implied by the unfortunate term free verse) he seeks a stricter discipline of exact concord of thought and feeling.
Perhaps it is this theory of all work and no play that has made the Marxist such a very dull boy.
I know of no better name than Anarchism.
I am not going to claim that modern anarchism has any direct relation to Roman jurisprudence; but I do claim that it has its basis in the laws of nature rather than in the state of nature.
It will be a gay world. There will be lights everywhere except in the minds of men, and the fall of the last civilization will not be heard above the din.
Art is not and never has been subordinate to moral values. Moral values are social values; aesthetic values are human values. Morality seeks to restrain the feelings; art seeks to define them by externalizing them, by giving them significant form. Morality has only one aim - the ideal good; art has quite another aim - the objective truth... art never changes.
Love works miracles in stillness.
It is already clear, after twenty years of socialism in Russia, that if you do not provide your society with a new religion, it will gradually revert to the old one.
Only a people serving an apprenticeship to nature can be trusted with machines. Only such people will so contrive and control those machines that their products are an enhancement of biological needs, and not a denial of them.
These are the sensations and feelings that are gradually blunted by education, staled by custom, rejected in favor of social conformity.
Sensibility... is a direct and particular reaction to the separate and individual nature of things. It begins and ends with the sensuous apprehension of colour, texture and formal relations; and if we strive to organize these elements, it is not with the idea of increasing the knowledge of the mind, but rather in order to intensify the pleasure of the senses.
The slave may be happy, but happiness is not enough.
Man is everywhere still in chains.
We may be sure that out of the ruins of our capitalist civilization a new religion will emerge, just as Christianity emerged from the ruins of the Roman civilization.
Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist's feeling for form is stronger than a formless feeling.
The farther a society progresses, the more clearly the individual becomes the antithesis of the group.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: