If only we arrange our life according to that principle which counsels us that we must hold to the difficult, then that which now still seems to us the most alien will become what we most trust and find most faithful.
the longer I live, the more necessary it seems to me to endure, to copy the whole dictation of existence to the end, for it might be that only the last sentence contains that small, perhaps inconspicuous word through which all laboriously learned and not understood orients itself toward glorious sense.
I would like to sing someone to sleep, to sit beside someone and be there. I would like to rock you and sing softly and go with you to and from sleep. I would like to be the one in the house who knew: The night was cold. And I would like to listen in and listen out into you, into the world, into the woods. The clocks shout to one another striking, and one sees to the bottom of time. And down below one last, strange man walks by and rouses a strange dog. And after that comes silence. I have laid my eyes upon you wide; and they hold you gently and let you go when something stirs in the dark.
I want to unfold. I don't want to stay folded anywhere, because where I am folded, there I am a lie, and I want my grasp of things to be true. I want to describe myself like a painting that I looked at closely for a long time, like a saying that I finally understood, like the pitcher I use every day, like the face of my mother, like a ship that carried me through the wildest storm of all.
Love is something difficult and it is more difficult than other things because in other conflicts nature herself enjoins men to collect themselves, to take themselves firmly in the hand with all their strength, while in the heightening of love the impulse is to give oneself wholly away.
Resolve to be always beginning-to be a beginner!
We have no reason to mistrust our world, for it is not against us. Has it terrors, they are our terrors; has it abysses, those abysses belong to us; are dangers at hand, we must try to love them.... Perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.
Have patience with everything that remains unsolved in your heart. Try to love the questions themselves...At present you need to live the question. Perhaps you will gradually, without even noticing it, find yourself experiencing the answer.
What else can I tell you? It seems to me that everything has its proper emphasis; and finally I want to add just one more bit of advice: to keep growing, silently and earnestly, through your whole development; you couldn't disturb it any more violently than by looking outside and waiting for outside answers to questions that only your innermost feeling, in your quietest hour, can perhaps answer.
Sometime we will have to stop overevaluating the word. We shall learn to realize that it is only one of the many bridges that connect the island of our soul with the great continent of common life. . . the broadest, perhaps, but in no way the most refined.
Wanting to change, to improve, a person's situation means offering him, for difficulties in which he is practiced and experienced, other difficulties that will find him perhaps even more bewildered.
This above all-ask yourself in the stillest hour of your night: must I write? Delve into yourself for a deep answer. And if this should be affirmative, if you may meet this earnest question with a strong and simple "I must," then build your life according to this necessity; your life even into its most indifferent and slightest hour must be a sign of this urge and a testimony to it. Then draw near to Nature. Then try, like some first human being, to say what you see and experience and love and lose.
I don’t want to stand before you like a thing, shrewd, secretive. I want my own will, and I want simply to be with my will, as it goes toward action. And in the silent, sometimes hardly moving times, when something is coming near, I want to be with those who know secret things or else alone. I want to unfold. I don’t want to be folded anywhere, because where I am folded, there I am a lie.
And you suddenly know: It was here! You pull yourself together, and there stands an irrevocable year of anguish and vision and prayer.
Why should you want to give up a child's wise not-understanding in exchange for defensiveness and scorn, since not-understanding is, after all, a way of being alone, whereas defensiveness and scorn are a participation in precisely what, by these means, you want to separate yourself from.
Oh longing for places that were not Cherished enough in that fleeting hour How I long to make good from afar The forgotten gesture, the additional act.
Fig tree, how long it's been full meaning for me, the way you almost entirely omit to flower and into the seasonably-resolute fruit uncelebratedly thrust your purest secret. Like the tube of a fountain, your bent bough drives the sap downwards and up: and it leaps from its sleep, scarce waking, into the joy of its sweetest achievement.
Do continue to believe that with your feeling and with your work you are taking part in the greatest; the more strongly you cultivate in yourself this belief, the more will reality and world go forth from it.
Fate loves to invent patterns and designs. Its difficulty lies in complexity. But life itself is difficult because of its simplicity. It has only a few things of a grandeur not fit for us.
That is at bottom the only courage that is demanded of us: to have courage for the most strange, the most singular, and the most inexplicable that we may encounter.
Perhaps everything terrifying is deep down a helpless thing that needs our help.
a good marriage is that in which each appoints the other guardian of his solitude
Verses are not, as people think, feelings (those one has early enough) -- they are experiences. For the sake of a verse one must see many cities, men, and things, one must know the animals feel how birds fly, and know the gesture with which the little flowers open in the morning.
Read as little as possible of literary criticism - such things are either partisan opinions, which have become petrified and meaningless, hardened and empty of life, or else they are just clever word-games, in which one view wins today, and tomorrow the opposite view. Works of art are of an infinite solitude, and no means of approach is so useless as criticism.
That is the principal thing-not to remain with the dream, with the intention, with the being-in-the-mood, but always forcibly to convert it all into things.
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