I think challenges are what any decent writer would be all about. If you actually do find your slide and grease it, shame on you. Me, I get bored very easily. As a writer I get bored even faster than I do in real life. I mean, I like fast cars; I've driven a lot of racecars. You need some stimulation. If I find something that seems too difficult to do, too difficult to research, or beyond your writing abilities, it's a perfect invitation to try it.
There are many other writers whose work I admire tremendously, but none whose work struck me at just the right young age. Jack Vance taught me that speculative fiction, science fiction, could be wonderfully and liberatingly stylistic. It didn't have to be pulp stuff. He really changed my writing and my view of science fiction, so if nothing else, my little homage to him in the novelette I wrote for that anthology is my thank-you to him. He helped me see that any genre can have excellent writing in it.
When I get about five readers I can rub together in one genre, I leave that genre and go somewhere else. And this is due to a vow that I made myself when I started writing - that if I had any success at all, I would not be bound to one form of writing. That I would write what moves me. The only way I can see me surviving and doing more than one book is to present the readers with a Dan Simmons novel, with whatever tropes and protocols from whatever genre I want to borrow them. If that builds a Dan Simmons readership, well then, okay. Otherwise, forget about it. I'd rather drive a truck.
The best advice that an accomplished writer could give a beginning writer is probably, "Find your slide and then grease it." Almost every writer that wants a rewarding career, in terms of money and status and number of readers, finally finds a certain genre or certain style that he or she sticks with until reaching a critical mass of readership. And I've violated this from the get-go.
Most of us do know we have no immortality. And when you've found a genius, someone who has already purchased his immortality in musical or literary terms, it's maddening.
The never-ending competition between writers hasn't changed between 1868 and 2000. I used to belong to writers' workshops with other professionals, but that becomes impossible after a while. Everyone's on a different step of the career ladder. Jealousy doesn't have to erupt into murder and burying someone in Wells Cathedral, but it is always there.
Wilkie Collins was a rival and competitor of Dickens. His novel Moonstone sold more copies at the time than Dickens' last two books. But that meant nothing in the long run. Right now, to be honest, Wilkie Collins is what he deserved to be back then: a footnote, an almost lost memory. And he knew he would become that.
The Victorians, they were like the Germans in World War II. They could not stop recording details about their lives and their age.
You've probably heard about the theory of steam-engine time - that even after the steam engine had been invented, it had to wait until people were ready to make use of it. The same thing happens in literary circles. The truth is, I'm not terribly interested in Victorian times; I'm interested in Victorian writers. I'm interested in most eras of history, but not the Victorian Era especially. I was interested in the John Franklin Expedition. I was interested in these last five weird years of Dickens' life. And I just have to take the age that comes with all that when I write about it.
I'm very interested in the evolution of technology, and it's really the idea of artificial life which intrigues me, more than just intelligence - a new, evolving life form arising within our datasphere and coming into living relation with humanity.
I think all the simple things can and do still work - holding your child's hand while walking across the street will do it. But we can hardly hear it for all the noise which has turned love into a cliche, and most people can't even hear John Lennon's "All You Need Is Love" anymore without wincing.
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