If after I read a poem the world looks like that poem for 24 hours or so I'm sure it's a good one—and the same goes for paintings.
Something needn't be large to be good.
Close, close all night the lovers keep. They turn together in their sleep, Close as two pages in a book that read each other in the dark. Each knows all the other knows, learned by heart from head to toes.
Hoping to live days of greater happiness, I forget that days of less happiness are passing by.
The art of losing isn't hard to master; so many things seem filled with the intent to be lost that their loss is no disaster.
What one seems to want in art, in experiencing it, is the same thing that is necessary for its creation, a self-forgetful, perfectly useless concentration.
All my life I have lived and behaved very much like the sandpiper - just running down the edges of different countries and continents, 'looking for something'.
I am overcome by my own amazing sloth...Can you please forgive me and believe that it is really because I want to do something well that I don't do it at all?
Why shouldn't we, so generally addicted to the gigantic, at last have some small works of art, some short poems, short pieces of music [...], some intimate, low-voiced, and delicate things in our mostly huge and roaring, glaring world?
Being a poet is one of the unhealthier jobs--no regular hours, so many temptations!
Democracy in the contemporary world demands, among other things, an educated and informed people.
I was made at right angles to the world and I see it so. I can only see it so.
I am in need of music that would flow Over my fretful, feeling finger-tips, Over my bitter-tainted, trembling lips, With melody, deep, clear, and liquid-slow. Oh, for the healing swaying, old and low, Of some song sung to rest the tired dead, A song to fall like water on my head, And over quivering limbs, dream flushed to glow! There is a magic made by melody: A spell of rest, and quiet breath, and cool Heart, that sinks through fading colors deep To the subaqueous stillness of the sea, And floats forever in a moon-green pool, Held in the arms of rhythm and of sleep.
Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn't hard to master.
Oh, must we dream our dreams and have them, too?
Sometimes it seemsas though only intelligent people are stupid enough to fall in love & only stupid people are intelligent enough to let themselves be loved.
All the untidyactivity continues, awful but cheerful.
It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free.
Someone loves us all.
There are some people whom we envy not because they are rich or handsome or successful, although they may be all or any of these, but because everything they are or do seems to be all of a piece, so that even if they wanted to they could not be or do otherwise.
Time to plant tears, says the almanac. The grandmother sings to the marvelous stove and the child draws another inscrutable house.
Think of the long trip home. Should we have stayed home and thought of here? Where should we be today?
The armored cars of dreams, contrived to let us do so many a dangerous thing.
It was cold and windy, scarcely the day to take a walk on that long beach Everything was withdrawn as far as possible, indrawn: the tide far out, the ocean shrunken, seabirds in ones or twos. The rackety, icy, offshore wind numbed our faces on one side; disrupted the formation of a lone flight of Canada geese; and blew back the low, inaudible rollers in upright, steely mist.
Heaven is not like flying or swimming, but has something to do with blackness and a strong glare.
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