Men expect too much, do too little.
Poets are mysterious, but a poet when all is said is not much more mysterious than a banker.
We are afraid that we have not lived. We are not afraid of dying.
I have felt darkness lead me by the hand Over the hill to greet the singing dawn.
The mission for the day is to encourage students to think beyond traditional career opportunities, prepare for future careers and entrance into the workplace.
Men expect too much, do too little, Put the contraption before the accomplishment, Lack skill of the interior mind To fashion dignity with shapes of air. Luxury, yes but not elegance!
In a manner of speaking, the poem is its own knower, neither poet nor reader knowing anything that the poem says apart from the words of the poem.
But we shall not know the world by looking at it; we know it by looking at the hovering fly.
Serious poetry deals with the fundamental conflicts that cannot be logically resolved: we can state the conflicts rationally, but reason does not relieve us of them.
Among friends one has the privilege of saying nothing; the civility consists in the assumption that one's silence will be civilly understood. I can imagine a small gathering of friends who say nothing all evening: they recoil from saying anything that the others don't want to hear; and their silence would be the subtlest courtesy.
So face with calm that heritage And earn contempt before the age.
What is the poem, after it is written? That is the question. Not where it came from or why.
Culture is the study of perfection, and the constant effort to achieve it.
Experience means conflict, our natures being what they are, and conflict means drama.
Men cannot live forever But they must die forever.
The twilight is long fingers and black hair.
At twelve I was determined to shoot only For honor; at twenty not to shoot at all; I know at thirty-three that one must shoot As often as one gets the rare chance - In killing there is more than commentary.
For some reason most critics have a hard time fixing their minds directly under their noses, and before they see the object that is there they use a telescope upon the horizon to see where it came from.
So the poet, who wants to be something that he cannot be, and is a failure in plain life, makes up fictitious versions of his predicament that are interesting even to other persons because nobody is a perfect automobile salesman.
The only real evidence that any critic may bring before his gaze is the finished poem.
The poet is he who fights on the passionate Side and whoever loses he wins; when he Is defeated it is hard to say who wins.
I believe the term modulation denotes in music the uninterrupted shift from one key to another: I do not know the term for change of rhythm without change of measure.
I had kept opaque Down deeper than the canyons undersea The sullen spectrum of a buried lake Nobody saw; not seen even by me.
A poem may be an instance of morality, of social conditions, of psychological history; it may instance all its qualities, but never one of them alone, nor any two or three; never less than all.
Poets, in their way, are practical men; they are interested in results.
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