My dear brother Barack Obama has a certain fear of free black men. As a young brother who grows up in a white context, brilliant African father, he's always had to fear being a white man with black skin. All he has known culturally is white. He has a certain rootlessness, a deracination.
I was deeply influenced by the sartorial practices of both preachers and jazz musicians and actually Masha in Act One of Anton Chekhov, my favorite writer's master piece,Three Sisters,when she arrives reflecting on whether they're ever going to get to Moscow, memories of the death of their father, and she's in black, and she says I'm in mourning for the world, saying in part that I have a sad soul and a cheerful disposition.
The street is as diverse as any other sector, but in peoples' mind it gets appropriated as a black man who's tough. Trying to make it through by staying hard and phallocentric. To me, that is just an impoverished conception of what it is to be a black male. It doesn't do justice to my grandfather, my father, my brother - or just the black men I grew up with.
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