That's sort of what I try to do with music: to harness whatever energy is already there and see where that momentum takes me. Sometimes you're spinning that oncoming momentum in a different direction, or sometimes you're coercing it to consider itself, or sometimes you're holding it up to a mirror. But I don't really like to interrupt and come in and destroy everything and start all over. I'm not that kind of guy.
Sometimes I do have something in my head. But, for me, I think it usually ends up being about considering all of the elements, and trying to understand the distance from where we are to where we want to go.
A lot of my creative projects are inspired and driven by technology and style. My mission is to recycle as much plastic possible in my lifetime and beyond in the form of high quality products.
That's what music should be like all the time. No stress, moving things forward, inspiring the youth, and doing it with style and vigor.
More than anything, I wanted to make sure that everybody was a pusher of difference. And they had to be able to do it in a communicative way, not esoterically. Because there are a lot of people who push things forward but sometimes only you and two people out of 500 in the room get it, but you want somebody who has mastered their craft so well that an 8-year-old gets it just like an 80-year-old gets it. They get the same visceral feeling.
There's an older generation that feels like they know what the future should be. And then there's your generation that may have an idea of what the future should be, but that could evolve.
I try not to cry, in general. The experience of crying is so emotional and uncomfortable for me that I don't like to go there.
For every individual who gets killed, someone should build a school or teach a child. We really need to balance things with positivity.
We're going to start seeing that it's actually less about race and more about class in the future. As much as we complain about the establishment discriminating against black people, we're going to start seeing that more of us are already in the establishment.
The new Black doesn't blame other races for our issues.
I feel overworked, but when I don't work, I feel weird.
I'm like the random guy who you would think I'm a computer freak and you would think that I'm a massive art collector, but I'm really not.
I'm not mainstream at all. I can make mainstream music and I make music for mainstream artists, but me, myself, I'm not mainstream.
Women think about things in a holistic way that's not just so individual. And I'm saying the thing is, is if we had somebody looking after our country that thought about things as a whole, I just feel like it just would be different.
Failure is not always a bad thing. You just have to be smart while you're in the middle of it. You're in the eye of the tornado of like disappointment to know that it's just a storm and it'll pass.
The most important thing is just like creativity and music. It's the one thing that you never lose if you just stay loyal to that.
If you allow failure to take on more of a role in your life than possible, then you'll always look at it on the defense and you'll always shoot yourself down before it even goes anywhere.
Failure honestly can be like the best lesson and it's like the one that like God wants you to really pay attention to. That's why it hurts. The pain will help you remember how not to walk, what directions not to go.
Failure hurts pretty bad. But when you got good people around you they remind you that failure is actually just a lesson. It's how not to walk so you don't fall again.
I've never seen myself as an artist. So when that happened it was like a whole other crazy thing.
The Internet is just it's great in a lot of ways and it has its disadvantages. But one of the great advantages is the ubiquity - virtually anyone can be discovered and things catch like fire when they're great.
I think minimalism is something I just got attracted to just in general because I like the empty space, if you think about it, like there's a lot of empty space. So there are sounds there, there are chords, like coordinates, to sort of tell you where the emotion is going, but then it leaves so much room for the voice to do other things.
Society wants to put us in a box and say, OK, you do this and you do that and you do this, and I'm like, no, I like this, I like that.
I'm very lazy, it's just that I love music and I love the things that I get to do. That's why I feel so blessed.
There are tons of people who have made great music, great art, great whatever, but you don't know about them until the people lift you to a certain height so that you could even be visible and get any kind of recognition.
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