We have treatments for disturbed persons, Nicholas. But, at least for the time being, we have no treatment for disturbing persons.
Woody Allen once said: "You know there must be intelligent life in space. The question is do they have good Chinese restaurants and do they deliver?" Which is really a joke, but it is also a very profound remark. When you say do they have good Chinese restaurants, what you're really saying is, "How much are they like us?" And when you say, "Do they deliver?" you're saying, "Can they get here?" Both of which are profound questions. And at the present, we have no answers.
...in some situations winning consist[s] of disentangling oneself.
Have a short story feature two situations, and then let them solve each other.
We only have one dog now. Calamity Jane had to be put down. She was very old, and her medicine no longer controlled her seizures. Dilly is five now, I think. He's a neutered American Pit Bull Terrier, very gentle, about the color of buckskin.
Ambiguity is necessary in some of my stories, not in all. In those, it certainly contributes to the richness of the story. I doubt that thematic closure is never attainable.
I could speculate, but it would be just speculation and the kind of thing that you would get in with a science fiction story. And if I was doing a science fiction story then I would come up with what can go wrong with this system.
I get a lot of people complaining about my ambiguity, often in cases which there is nothing ambigous at all. As far as I can see, people read it when they were half stoned and listening to the TV. Then they come back and say gee, it's impossible to figure out what's going on in a story.
A youthful American voice isn't particularly challenging - I've been a young American, and they're all around me. I can walk from my house to Barrington High School.
I was trapped in admiration for what I had once admired, as a fly in amber remains the captive of some long-vanished pine.
All the history of the stage is a struggle, the gasping of a beautiful child born at the point of death. The moralists, censorship and oppression, technology, and now poverty have all tried to destroy her. Only we, the actors and audiences, have kept her alive.
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