A lot of Gorillaz songs were very personal. I mean, that's why it was interesting, because it wasn't music being made for a cartoon. It was something different. It was a much more emotional affair. I wasn't necessarily thinking in the third-person then.
The whole Gorillaz concept is one for mavericks; it's a way for people who never have a chance to work together being able to ally behind the cartoons.
I used to be younger than my producers but now I'm older than my producers and I think that works for me, that works better cause you get a good kick up the ... everyday.
I'm slightly ambivalent to the whole relationship between the whole advertising world and music. I think sometimes it works and sometimes it's a really bad mismatch. I think on this occasion its fine because the iPod is like your own mini-library and that can't be a bad thing. It promotes eclecticism and that's very much what we are about so it's a good relationship.
I like to put my iPad on the window and leave it there for however long the journey is, so that I'm staring out, and it's staring out. We're kind of staring out together. It's very poetic to me, watching that absent-minded passing of time. You realize how much you've taken in. What is left of that memory of you staring out of the window for an hour? It's all on the iPad.
Well, as resources inevitably disappear [in Africa], people have to make do with a lot less. You have to be much more ingenious with a lot less, and accept that you can't get your perfect tuna sandwich on a street corner.
Every time I go to Africa, I see the future. I see what the Western world is going to become. It's a very futuristic place.
Change terrifies people. They like new, but they don't like new with change.
The best way to get to know Africa is to go there and see what it is. To know somewhere that crazy and that magnificent, you have to spend some time among people, the rhythm of their lives.
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
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