Andrei Tarkovsky Quotes About Art

Quotes about: Art

• Art is born out of an ill-designed world.

  Andrei Tarkovsky

  Art, World, Born

  "Biography / Personal Quotes". www.imdb.com.

• Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would simply live in it. Art is born out of an ill-designed world.

  Andrei Tarkovsky

  Art, Men, Perfect

  "Biography / Personal Quotes". www.imdb.com.

• It is obvious that art cannot teach anyone anything, since in four thousand years humanity has learnt nothing at all. We should long ago have become angels had we been capable of paying attention to the experience of art, and allowing ourselves to be changed in accordance with the ideals it expresses. Art only has the capacity, through shock and catharsis, to make the human soul receptive to good. It’s ridiculous to imagine that people can be taught to be good…Art can only give food – a jolt – the occasion – for psychical experience.

  Andrei Tarkovsky

  Art, Angel, Long Ago

• The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as an example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good.

  Andrei Tarkovsky

  Art, Ideas, Soul

  "Sculpting in Time" by Andrei Tarkovsky, (p. 42), 1986.

• Art would be useless if the world were perfect.

  Andrei Tarkovsky

  Art, Perfect, Would Be

  "Biography / Personal Quotes". www.imdb.com.

• The idea of infinity cannot be expressed in words or even described, but it can be apprehended through art, which makes infinity tangible. The absolute is only attainable through faith and in the creative act.

  Andrei Tarkovsky

  Art, Ideas, Creative

  "Sculpting in Time" by Andrei Tarkovsky, (p. 39), 1986.

• Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual...

  Andrei Tarkovsky

  Spiritual, Art, Longing

  "Sculpting in Time". Book by Andrei Tarkovsky, 1986.

• Art is realistic when it strives to express an ethical ideal. Realism is striving for truth, and truth is always beautiful. Here the aesthetic coincides with the ethical.

  Andrei Tarkovsky

  Beautiful, Art, Truth Is

  "Sculpting in Time" by Andrei Tarkovsky, (p. 113), 1986.

• It is obvious that art cannot teach anyone anything, since in four thousand years humanity has learnt nothing at all.

  Andrei Tarkovsky

  Art, Years, Humanity

  "Sculpting in Time" by Andrei Tarkovsky, (p. 50), 1986.

• Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.

  Andrei Tarkovsky

  Art, Stars, Thinking

• Never try to convey your idea to the audience - it is a thankless and senseless task. Show them life, and they'll find within themselves the means to assess and appreciate it.

  Andrei Tarkovsky

  Art, Mean, Ideas

  "Sculpting in Time" by Andrei Tarkovsky, (p. 152), 1986.

• Unlike all the other art forms, film is able to seize and render the passage of time, to stop it, almost to possess it in infinity. I'd say that film is the sculpting of time.

  Andrei Tarkovsky

  Movie, Art, Able

• IN ALL MY FILMS, IT SEEMED IMPORTANT TO ME TO REMIND THE AUDIENCE TO THE FACT THAT THEY ARE NOT ALONE, LOST IN AN EMPTY UNIVERSE, BUT THAT THEY ARE CONNECTED BY INNUMERABLE THREADS WITH THEIR PAST AND PRESENT, THAT THROUGH CERTAIN MYSTICAL WAYS, EVERY HUMAN BEING REALIZES THE RAPPORT WITH THE WORLD AND THE LIFE OF HUMANITY.

  Andrei Tarkovsky

  Art, Past, Being Real

• I'VE NOTICED, FROM MY EXPERIENCE, IF THE EXTERNAL, EMOTIONAL CONSTRUCTION OF IMAGES IN A FILM ARE BASED ON THE FILMMAKER'S OWN MEMORY, ON THE KINSHIP OF ONE'S PERSONAL EXPERIENCE WITH THE FABRIC OF THE FILM, THEN THE FILM WILL HAVE THE POWER TO AFFECT THOSE WHO SEE IT.

  Andrei Tarkovsky

  Art, Memories, Emotional

• ALL ART, OF COURSE, IS INTELLECTUAL, BUT FOR ME, ALL THE ARTS, AND CINEMA EVEN MORE SO, MUST ABOVE ALL BE EMOTIONAL AND ACT UPON THE HEART.

  Andrei Tarkovsky

  Art, Emotional, Intellectual

• IN CINEMA IT IS NECESSARY NOT TO EXPLAIN, BUT TO ACT UPON THE VIEWER'S FEELINGS, AND THE EMOTION WHICH IS AWOKEN IS WHAT PROVOKES THOUGHT.

  Andrei Tarkovsky

  Art, Feelings, Cinema

• MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.

  Andrei Tarkovsky

  Art, Believe, Essence

• IN THE CINEMA A DIRECTOR EXPRESSES HIS INDIVIDUALITY FIRST AND FOREMOST THROUGH HIS SENSE OF TIME, THROUGH RHYTHM. RHYTHM GIVES COLOUR TO A WORK BY DISTINGUISHABLE STYLISTIC CHARACTERISTICS. RHYTHM MUST ARISE NATURALLY IN A FILM, A FUNCTION OF THE DIRECTOR'S INNATE SENSE OF LIFE AND COMMENSURATE WITH HIS QUEST FOR TIME.

  Andrei Tarkovsky

  Art, Giving, Individuality

• MANY MANAGE TO SEPARATE THEIR LIFE FROM THEIR FILMS. THEY LIVE ONE WAY AND EXPRESS OTHER IDEAS IN THEIR WORKS. THEY ARE ABLE TO SPLIT THEIR CONSCIENCE. I CAN'T. TO ME CINEMA IS NOT JUST MY JOB: IT'S MY LIFE, AND EACH FILM IS AN ACT OF MY LIFE.

  Andrei Tarkovsky

  Art, Jobs, Ideas

• AN ARTISTIC DISCOVERY OCCURS EACH TIME AS A NEW AND UNIQUE IMAGE OF THE WORLD, A HIEROGLYPHIC OF ABSOLUTE TRUTH. IT APPEARS AS A REVELATION, AS A MOMENTARY, PASSIONATE WISH TO GRASP INTUITIVELY AND AT A STROKE ALL THE LAWS OF THIS WORLD-ITS BEAUTY AND UGLINESS, ITS COMPASSION AND CRUELTY, ITS INFINITY AND ITS LIMITATIONS.

  Andrei Tarkovsky

  Art, Unique, Compassion

• THE ARTISTIC IMAGE IS ALWAYS A METONYM, WHERE ONE THING IS SUBSTITUTED FOR ANOTHER, THE SMALLER FOR THE GREATER. TO TELL OF WHAT IS LIVING, THE ARTIST USES SOMETHING DEAD; TO SPEAK OF THE INFINITE, HE SHOWS THE FINITE.

  Andrei Tarkovsky

  Art, Use, Speak

• ...art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition - otherwise life becomes impossible! Art symbolises the meaning of our existence.

  Andrei Tarkovsky

  Art, Men, Expression

  "Sculpting in Time" by Andrei Tarkovsky, (p. 192), 1986.

• What is art? (...) Like a declaration of love: the consciousness of our dependence on each other. A confession. An unconscious act that none the less reflects the true meaning of life—love and sacrifice.

  Andrei Tarkovsky

  Art, Love Life, Sacrifice

• When I speak of the aspiration towards the beautiful, of the ideal as the ultimate aim of art, which grows from a yearning for that ideal, I am not for a moment suggesting that art should shun the 'dirt' of the world. On the contrary! the artistic image is always a metonym, where one thing is substituted for another, the smaller for the greater. To tell of what is living, the artist uses something dead; to speak of the infinite, he shows the finite. Substitution... the infinite cannot be made into matter, but it is possible to create an illusion of the infinite: the image.

  Andrei Tarkovsky

  Beautiful, Art, Use

• An artist cannot be partially sincere any more than art can be an approximation of beauty.

  Andrei Tarkovsky

  Art, Artist, Sincere

  "Sculpting in Time" by Andrei Tarkovsky, (p. 47), 1986.

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