When she cried, he would say, "there is nothing wrong with crying. Your feelings tell you who are. They tell what is important. Don't ever be ashamed of them.
THE NAME OF THE WIND marks the debut of a writer we would all do well to watch. Patrick Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.
After all, you put a lot into creating a universe and everything that goes with it, and it seems a shame to use it only once.
I have learned to do more with less, so you don't see the big books anymore.
The more complex and overwhelming the threat to a protagonist, the better the opportunity for the author to create a compelling conflict and a dramatic resolution.
I didn't want readers to have to make allowances for what they couldn't see, but to be able to say to themselves that the fabric of the magic detailed was perfectly believable.
If I have the means, I have the responsibility to employ them.
The future is an ever-shifting maze of possibilities until it becomes the present. The future I have shown you tonight is not yet fixed. But it is more likely to become so with the passing of every day because nothing is being done to turn it aside. If you would change it, do as I have told you.
When I was a kid, we had to rely on our imaginations for entertainment.
For a writer, its very attractive to stay in one world for a time.
Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list.
My interests are different now than they were thirty years ago.
She has her gown nicely in place tonight, doesn't she? Black velvet and sparkles, not a thread left hanging. Clever girl, this city. Even the sky is her friend.
The reader wants to see something happen between pages one and four hundred, and nothing happens if the characters don't change.
I am incomplete without my work. I am so closely bound to it, so much identified by it, that without it I think I would crumble into dust and drift away.
Growing up, I didn't have a lot of toys, and personal entertainment depended on individual ingenuity and imagination - think up a story and go live it for an afternoon.
There is much to admire in Peter Brett's writing, and his concept is brilliant. There's action and suspense all the way.
The Golden Compass is one of the best fantasy / adventure stories that I have read. This is a book no one should miss.
If anything in your life is more important than writing - anything at all - you should walk away now while you still can. Forewarned is forearmed. For those who cannot or will not walk away, you need only to remember this. Writing is life. Breathe deeply of it.
Even after Sword was published, I was still only thinking about the next book, Elfstones.
Lester del Rey told me repeatedly that the first and most important part of writing fiction is just to think about the story. Don't write anything down. Don't try to pull anything together right away. Just dream for a while and see what happens. There isn't any timetable involved, no measuring stick for how long it ought to take. For each book, it is different. But that period of thinking, of reflection, is crucial to how successful your story will turn out to be.
Well, I think that as a country, we've drifted away from appreciating the importance of imagination.
What I want to write about has changed somewhat, and the scope of the storytelling has changed accordingly.
I haven't made up my mind about doing anymore Landover books.
Fiction writing is a twenty-four-hou r-a-day occupation. You never leave your work behind. It is always with you, and to some extent, you are always thinking about it. You don't take your work home; your work never leaves home. It lives inside you. It resides and grows and comes alive in your mind.
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