It is my duty to voice the sufferings of humankind, the never-ending sufferings heaped mountain high. This is my task, but it is not an easy one to fulfill.
Every war carries within it the war which will answer it. Every war is answered by a new war, until everything, everything is smashed.
I do not want to die... until I have faithfully made the most of my talent and cultivated the seed that was placed in me, until the last small twig has grown.
I can always paint very well with my eyes, but with my hands it doesn't always work out.
While I drew, and wept along with the terrified children I was drawing, I really felt the burden I am bearing. I felt that I have no right to withdraw from the responsibility of being an advocate.
I was put in this world to change it.
One day, a new ideal will arise, and there will be an end to all wars. I die convinced of this. It will need much hard work, but it will be achieved The important thing, until that happens, is to hold one's banner high and to struggle Without struggle there is no life.
I have never been able to carry out any work coolly. On the contrary it is done, so to speak, with my own blood. Anyone who looks at my works must be able to sense that.
Old ideas die hard. We've had thousands of years of women having almost no rights. Parts of the world are in a struggle toward very basic human rights for women, and most of the world isn't even there yet. And it's going to take a long time to change these attitudes.
Where do all the women who have watched so carefully over the lives of their beloved ones get the heroism to send them to face the cannon?
Look at life with the eyes of a child.
If all the people who have been hurt by the war were to exclude joy from their lives, it would almost be as if they had died.
I thought I was a revolutionary and was only an evolutionary.
There are moments on most days when I feel a deep and sincere gratitude, when I sit at the open window, and there is a blue sky or moving clouds.
My work is not, of course, pure art in the sense that Schmidt-Rottluff's is, but it is art nonetheless... It is all right with me that my work serves a purpose. I want to have an effect on my time, in which human beings are so confused and in need of help.
When Michelangelo was an old man, he drew himself sitting in a child's pushcart.
I am in the world to change the world.
It seems to me nowadays that the most important task for someone who is aging is to spread love and warmth whenever possible.
There must be understanding between the artist and the people. In the best ages of art that has always been the case. Genius can probably run on ahead and seek out new ways. But the good artists who follow after genius — and I count myself among these — have to restore the lost connection once more.
I am afraid of dying-but being dead, oh yes, that to me is often an appealing prospect.
How long were the stretches of toilsome tacking back and forth, of being blocked, of being thrown back again and again. But all that was annulled by the periods when I had my technique in hand and succeeded in doing what I wanted.
The development of the national spirit in its present form leads into blind alleys. Some condition must be found which preserves the life of the nation, but rules out the fatal rivalry among nations.
No longer diverted by other emotions, I work the way a cow grazes.
Culture arises only when the individual fulfills his cycle of obligations. If everyone recognizes and fulfills his cycle of obligations, genuineness emerges. The culture of a whole nation can in the final analysis be built upon nothing else.
Men without joy seem like corpses.
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