It's with my brush that I make love.
If it [dabbling in art] didn't amuse me, I beg you to believe that I wouldn't do it.
The ideas come afterwards, when the picture is finished.
I've known painters who never did any good work because instead of painting their models they seduced them.
A fat lot of good it would do if I told you that Titian's courtesans make you want to caress them. Some day you'll see the Titians for yourself, and if they have no effect on you, then you don't understand the first thing about painting. And I wouldn't be able to help you.
The purpose of painting is to decorate the walls. Therefore it has to be as rich as possible
The most important element in a picture cannot be defined.
Religion is everywhere. It is in the mind, in the heart, in the love you put into what you do.
People love to be nice, but you must give them the chance.
How is it that in the so-called barbarian ages art was understood, whereas in our age of progress exactly the opposite is true?
"The work of art must seize upon you...carry you away."
What is to be done about these literary people, who will never understand that painting is a craft and that the material side comes first? The ideas come afterwards, when the picture is finished.
The modern architect is, generally speaking, art's greatest enemy.
I have arrived more definitely than any other painter during his lifetime; honours shower upon me from every side; artists pay me compliments on my work; there are many people to whom my position must seem enviable ... But I don't seem to have a single real friend!
You haven't time to think about the composition. In working directly from nature, the painter ends up by simply aiming at an effect, and not composing the picture at all; and he soon becomes monotonous.
God, the king of artists, was clumsy.
I had wrung impressionism dry and I finally came to the conclusion that I know neither how to paint nor how to draw.
Why should beauty be suspect?
He bores me. He ought to have stuck to his flying machine. [On Leonardo Da Vinci]
One can thus state, without fear of being wrong, that every truly artistic production has been conceived and executed according to the principle of irregularity.
With a limited palette, the older painters could do just as well as today what they did was sounder.
About 1883 something like a break occurred in my work. I had reached the end of 'impressionism,' and I had come to realize that I did not know how to paint or draw.
They tell you that a tree is only a combination of chemical elements. I prefer to believe that God created it, and that it is inhabited by a nymph.
It took me twenty years to discover painting: twenty years looking at nature, and above all, going to the Louvre.
In painting, as in the other arts, there's not a single process, no matter how insignificant, which can be reasonably made into a formula. You come to nature with your theories, and she knocks them all flat.
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