I was always involved in art and when I went under contract at Warner Bros. at 18, it afforded me the possibility of never having to stop painting, never having to stop taking photographs and so on, and to actually live a cultural life.
Banks wont even loan each other money, everybody's going broke, and here we are inside here, these people are going to be out on the street selling apples and pencils and they're still going to be buying paintings for this money, so I don't know what's going on in this world.
I'm still around artists. I don't have anymore wall space. And I don't have the money to collect anymore, the prices are outrageous.
I went back to photography in the 1990s. But from the 60s to the 90s I didn't really take any photographs at all, unfortunately. During that period I lived in France, I lived in England, I lived all over the place in different cities. I didn't take any photographs and because I felt I had really accomplished everything that I wanted to in photography during the period between 61 and 67.
Photography and painting, all of that fed into my directing eventually.
As an actor, you have no control really.
I couldn't get a job acting all the time and there were down periods where I could take photographs or paint. I got into a lot of trouble when I was young, from making two films with James Dean, watching him work and then him dying and thinking I could turn down work. There was a big difference, he was a star and I wasn't. So I got in a lot of trouble and was essentially banned from Hollywood.
I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.
I never really made any money and it certainly cost me more to take photographs than I got for them.
I think not being a professional photographer was actually a blessing, because it allowed me to shoot things professional photographers wouldn't shoot, or wouldn't try or attempt to shoot without lights. So I did all my stuff natural and without lights.
I didn't see an abstract painting until I was 18, when I went to Vincent Price's house and saw Richard Niebencorn, Wolff, Jackson Pollack. He had an amazing collection. I didn't know people painted abstractly, I thought I was just doing something wholeheartedly.
I've always been doing some sort of art. I started off, when I was very young, painting.
I was an abstract expressionist before I had seen any abstract expressionist paintings. I started when I was a kid and continued just doing abstract stuff all through high school.
I wanted to be an actor. I decided when I was very young, when I first saw movies, that I wanted to be an actor.
When I was about 14. I saw my first mountain. I saw the ocean for the first time. I remember thinking that that ocean looked very similar to our wheat fields. I didn't know what I thought I would see when I looked out at the ocean, but I thought I'd see something different.
In Method acting, you can't have preconceived ideas. You have to live in the moment. You have to keep yourself open.
I was a Shakespearean actor, I had preconceived ideas, line readings - everything was a gesture, everything was conscious.
Well, it's not just money. I consider myself establishment right now. I'm borderline establishment, I'm hanging on by my toenails - but I'm establishment.
I used to have to wear a gas mask to school when I was a kid because of the dust. I would tell people that the first light I saw was in a movie theater, because the sun was just a little glow.
I was reading a lot of Thomas Jefferson at the time, and Jefferson said that every 20 years, if one party has stayed in power, it's your obligation as an American to vote the other party in.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: