Unfortunately when I start to talk or when someone watches over my shoulders my pencil either stops or I draw meaningless lines.
It would be nice once during my life to go over [to Europe] and study the original paintings of the Masters.
When I see these primitive effects coming into my pictures subconsciously, even though the perspective may be slightly out, I leave them in if it helps the general composition.
Worry, about the 'thousand and one' details entailed. My one-track mind has to be relieved of these worries completely or I cannot get started working on my paintings, or even get to sleep at night.
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