I'm only involved really right now with the Art Ensemble of Chicago and the Brass Fantasy.
Because I believe that the future of the music lies in the Internet. It can be sold on the Internet.
What I've been trying to do for years is to get the music played on a station other than jazz stations, you know, to expand the audience.
You can establish a presence on the internet; you can have just as much of a presence as a major company or anyone else.
The trumpet is forceful.
You play ensemble things that you had no idea you were going to play two minutes before.
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