I'm only involved really right now with the Art Ensemble of Chicago and the Brass Fantasy.
Jazz groups have to make a living any way.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
You can establish a presence on the internet; you can have just as much of a presence as a major company or anyone else.
The trumpet is forceful.
You play ensemble things that you had no idea you were going to play two minutes before.
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