The unconscious is the ocean of the unsayable, of what has been expelled from the land of language, removed as a result of ancient prohibitions.
It's better not to know authors personally, because the real person never corresponds to the image you form of him from reading his books.
Melancholy is sadness that has taken on lightness.
The city of cats and the city of men exist one inside the other, but they are not the same city.
A classic is a book which with each rereading offers as much of a sense of discovery as the first reading.
Futures not achieved are only branches of the past: dead branches.
For the man who thought he was Man there is no salvation.
Without translation, I would be limited to the borders of my own country. The translator is my most important ally. He introduces me to the world.
There is no language without deceit.
I will start out this evening with an assertion: fantasy is a place where it rains.
Traveling, you realize that differences are lost: each city takes to resembling all cities, places exchange their form, order, distances, a shapeless dust cloud invades the continents.
Who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?
...Life is nothing but trading smells.
Every time I must find something to do that will look like something a little beyond my capabilities.
To fly is the opposite of traveling: you cross a gap in space, you vanish into the void, you accept not being in a place for a duration that is itself a kind of void in time; then you reappear, in a place and in a moment with no relation to the where and when in which you vanished.
If you want to know how much darkness there is around you, you must sharpen your eyes, peering at the faint lights in the distance.
Each sort of cheese reveals a pasture of a different green, under a different sky.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
At times the mirror increases a thing’s value, at times denies it.
Cities, like dreams, are made of desires and fears.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
The word connects the visible trace with the invisible thing, the absent thing, the thing that is desired or feared, like a frail emergency bridge flung over an abyss.
The soul is often in the surface, and the importance of 'depth' is overestimated.
Literature remains alive only if we set ourselves immeasurable goals, far beyond all hope of achievement. Only if poets and writers set themselves tasks that no one else dares imagine will literature continue to have a function.
I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language.
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