The problem is if you play enough of parts in films that are sort of more financial products than anything or films in which the girl is a thankless, thoughtless, underwritten character along the way, you're no longer the person who had something fresh or vital to offer. I think it really does start to diminish some part of you, to put yourself through things you don't really want to be doing.
A whole film is just about arriving at a moment where you hopefully transfer some feeling to the audience.
When I was a kid and going to the movies I was overwhelmed by the way women were always second-class citizens in the film.
Then in college, besides economics, I also majored in studio art and got involved in photography and making short films and acting. But I didn't know you could make a living that way.
I think one thing for sure that you learn the more films that you make is how important it is to choose your collaborators.
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