You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.
Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character.
I'm drawn to emotionally damaged characters because there is more to unlock.
It was a challenge to be able to create a character without being able to use one's normal set of expressions. All the rubber and makeup attached to your face left you with only a modest range of facial movements.
What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality.
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