I do feel the weight of being the steward of the greatest sport the world ever came up with. I grew up with a love and admiration for it, so I feel an obligation to portray it as electric and terrifying and exciting and beautiful, and all these sometimes contradicting things that make hockey what it is.
If you know what you want and you hire people that can do it, there's no reason it should be arduous and torturous. I wanted everyone to enjoy themselves on my set and want to be there, to take ownership of it and pitch ideas to me and know that this is their flick.
Movies are the greatest art form the world has come up with yet. If you don't use them to the full extent and you don't give people as much as you possibly can, you're doing a disservice to it.
If you want to make god laugh, make a plan.
I count absolutely no chickens before they're hatched. In fact, I assume they're all dead in their shells, inside their eggs.
My mom said to me when I was a little kid, "You don't have to hate your job. Just because you see all these unhappy grown-ups doesn't mean you have to be one of them." She said, "Find something that you would do for free and find a way to get paid to do it." That's been my guiding principle.
What I do for a living and how I unwind are one and the same; it's a rare special thing.
I just adore being on set. I adore storytelling. I can be on a set 70 hours a week and on those weekends, I'll still want to watch movies.
When I started acting, my mom said, "If you want to go to film school and eventually direct, being on set is probably the best film school in the world." I'm incredibly grateful for the career I've had, but I was an actor to be a part of movies and TV, not the other way around.
It's something I want to do going forward - make a movie that is commercial and universal and will play in any movie theater or living room in the States or the UK, but is definitively Canadian. I don't think there's such a thing as prohibitively Canadian.
Before World War II in Canada, you were nobody until you went to England. Then, after that it was you're nobody until you went to the States.
There's something about TV shows and the format that becomes a bit more personal. People watch two, three in a row before they get out of bed on their laptop or when they get home from going out and before they go to sleep. People make shows part of their daily routine, and that makes them take ownership of it. If you're so arrogant as to call yourself an artist, you can't ask for anything more than that.
Regardless of how insane it might be, when you dig somebody you just met and you send that first text, goddamn, it's an eternity before you get the reply back.
What I love about [TV] is this: It's a specific thing to be able to tell a satisfying, rewarding story in less than 25 minutes. Not everyone can pull that off. There's something really cool about giving lit people a bunch of little mini movies.
You always want to try and evolve an art form. It's not a very humble ambition; it reeks of arrogance. If you can, you want to try to do something that people haven't done before and give people something that they haven't seen.
People always like to have a good time and laugh, and, [among] the vast majority of the seven billion people on this earth, one thing that we all have in common is at some point we all need to pair up and find some sort of significant other, some sort of romantic counterpart.
At one time or another, everyone's had the rom-com itch that needs to be scratched.
I know it's going to sound like a cliché, but the key of successful playing a role is to sort of keep it real and earnest and react the way that one would react in those situations. Where the disconnect between the movie and the audience would happen is if you go too big or too crazy with that stuff.
In the best-case scenario, the audience sees themselves in your shoes. The only way you can do that is if you try to play it as if it was happening to you.
My vanity and narcissism will never let me go too far.
I'd say that the No. 1 attribute you need as an actor is to be malleable. You need to be able to change and tailor what you're doing to what the situation dictates.
I guess I always have sort of general ideas, but the best stuff would be the stuff that comes to you in the moment, always.
I'm a chronic ad-libber. So whoever hires me, often to their chagrin, should know that I will be talking a bunch of smack.
Rigidity is the enemy of acting. And I think that people who stay up all night focusing on every beat they're going to do the next day always end up getting screwed.
I don't work in movies and TV because I adore acting, it's because I adore movies and TV.
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