I don't enjoy the work that I do. It's just that it's not self-sustaining anymore. The way that I like to make records - they're expensive records to make and just can't afford to do it anymore.
I don't have a lot of thrilling anecdotes about my career or personal life. All the stuff that is interesting is private and I wouldn't want people to know.
By calling it a memoir, I meant is as a collection of memories. I thought it was (a more) artful (title) than documentary.
I would never do a printed memoir. I've been asked to publish a memoir from years by different publishers and literary agents. I think it wouldn't be great for me because all I'd really want to talk about it music and I'd rather just play it.
I think I have a really diverse audience. I've had people from all sorts of sexual persuasions.
I think I don't invest so much time in thinking about people's sexuality. I just take people as individuals.
I've never sold my publishing. I have 100% control of all of my publishing and that includes everything, every use of my songs.
When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.
I've had a large gay following for many years and have been quite aware of that.
When it came time to sequence the album, the new arrangements really demanded a different order. They were so different than they were before that the old sequence didn't work anymore.
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