I think a lot of men are afraid of pretty things, and I'm not, I like pretty songs.
I love Motown, but I've obviously always been more of a Memphis soul fan. If it's Stax or Motown, I go Stax.
My parents split up when I was about 2. I realize more and more how much I'm like my father. My gentleness comes from my mother.
All my records have been written to be records, rather than writing a group of songs and seeing if they fit together.
I didn't do anything differently than what my father was doing. It's a really hard family to rebel in. I could have become an accountant. Or I could have become a Republican.
I don't think I have any right to say I belong to that [Woody Guthrie/Bob Dylan tradition]. I think that's something that eventually maybe you get inducted into. I'm just experimenting.
I think the best thing an artist can do is not hang out with other artists. I really dislike hanging out with musicians, for the most part, except for a few select friends, because I don't like to talk about music all the time.
I try and eat good. On the road, that's next to impossible. And we eat a lot of unhealthy things when we're in Texas - that's what you do there.
I've always written. When I was in school, the only teacher who ever liked me was my creative writing teacher. I used to enter poetry competitions, and I don't think I ever lost one. So I had the idea for a while of being some kind of poet.
I've got a 27-inch waist. Before, I was stupid smaller. Finding clothes in the South was impossible.
I've never been good at rock'n'roll songs, anyway; either I'm blessed or I'm cursed, but whatever I write comes out sounding old.
I heard Nirvana, and discovered that songs could be like poetry, but a little bit more refined: you didn't have to have 20 verses to get your point across.
I think that it's the job of the artist to be in transition and constantly learn more.
You have to live what you write, or you have to know it. There are exceptions, like story songs, where you just have to have your facts straight. But I think you don't have to live a hard life to be a good or interesting songwriter.
There's a certain urgency that comes from the records of the early 60s before overdubbing and multitracking came into play.
I didn't get into music to become a blues musician, or a country musician. I'm a singer-songwrit er. In my book that means I get to do whatever I want.
I always watched movies and rooted for the bad guys, you know? I've always been that kind of guy. I still hold some respect for criminals that are good at their jobs.
I grew up in a racially mixed neighborhood. So going over to friends' houses for dinner, their parents listened to Al Green and Luther Ingram. It was something that hit me early on, the feeling that came across.
As a southern man, there's two things I'm definitely not scared of: bow ties and white pants.
New York has always had a love for Southern artists. There's no place else that makes me feel like the city does. I just love the immediate nature of the city, you can get whatever you want whenever you want it and do whatever you want whenever you want to.
On the road, I weigh 168. At home, ten more.
There's no such thing as a teenager that listens to a single word their father says.
What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.
Nashville's like any other hometown - after a while, it's stifling.
Finding clothes in the South was impossible.
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