I discovered the same thing Gram Parsons did, that soul music and country music are practically identical. Based off of the same chord structures, and the songs are of heartache and loss. The main connection is they both came up in church.
I think a lot of men are afraid of pretty things, and I'm not, I like pretty songs.
It's nice coming to Nashville, and we have four-bedroom house and a dog, and we go swimming a lot. We get down here and spread out a lot, and I miss my sweet tea and my cornbread and my good southern cooking - but I'm down here eating pretty for two weeks and I'm ready to go back to New York City.
I've never been good at rock'n'roll songs, anyway; either I'm blessed or I'm cursed, but whatever I write comes out sounding old.
I think the best thing an artist can do is not hang out with other artists. I really dislike hanging out with musicians, for the most part, except for a few select friends, because I don't like to talk about music all the time.
My parents split up when I was about 2. I realize more and more how much I'm like my father. My gentleness comes from my mother.
I didn't do anything differently than what my father was doing. It's a really hard family to rebel in. I could have become an accountant. Or I could have become a Republican.
I heard Nirvana, and discovered that songs could be like poetry, but a little bit more refined: you didn't have to have 20 verses to get your point across.
I always watched movies and rooted for the bad guys, you know? I've always been that kind of guy. I still hold some respect for criminals that are good at their jobs.
I love Motown, but I've obviously always been more of a Memphis soul fan. If it's Stax or Motown, I go Stax.
All my records have been written to be records, rather than writing a group of songs and seeing if they fit together.
As a southern man, there's two things I'm definitely not scared of: bow ties and white pants.
On the road, I weigh 168. At home, ten more.
Finding clothes in the South was impossible.
I don't think I have any right to say I belong to that [Woody Guthrie/Bob Dylan tradition]. I think that's something that eventually maybe you get inducted into. I'm just experimenting.
I think that it's the job of the artist to be in transition and constantly learn more.
You have to live what you write, or you have to know it. There are exceptions, like story songs, where you just have to have your facts straight. But I think you don't have to live a hard life to be a good or interesting songwriter.
I grew up in a racially mixed neighborhood. So going over to friends' houses for dinner, their parents listened to Al Green and Luther Ingram. It was something that hit me early on, the feeling that came across.
I've got a 27-inch waist. Before, I was stupid smaller. Finding clothes in the South was impossible.
I've always written. When I was in school, the only teacher who ever liked me was my creative writing teacher. I used to enter poetry competitions, and I don't think I ever lost one. So I had the idea for a while of being some kind of poet.
I try and eat good. On the road, that's next to impossible. And we eat a lot of unhealthy things when we're in Texas - that's what you do there.
I didn't get into music to become a blues musician, or a country musician. I'm a singer-songwrit er. In my book that means I get to do whatever I want.
Nashville's like any other hometown - after a while, it's stifling.
What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.
There's no such thing as a teenager that listens to a single word their father says.
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