Michael Ondaatje’s work taught me how to be at home in fragments, and how to think about a big story in carefully curated vignettes. All his books were odd, all of them ‘unfinished’ the way Chopin’s Études are unfinished: no wasted gestures, no unnecessary notes.
There is no beginning that is a blank page.
The border is a marketplace. The invisible hand of the powerful governs the crossings.
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